---
product_id: 251748864
title: "Panasonic Lumix G Dc-Gh5 Mirrorless Digital Camera Body Only - 20.3 Mp, 4K, Black"
brand: "panasonic"
price: "€ 24.66"
currency: EUR
in_stock: false
reviews_count: 5
url: https://www.desertcart.pt/products/251748864-panasonic-lumix-g-dc-gh5-mirrorless-digital-camera-body-only
store_origin: PT
region: Portugal
---

# 4K video recording 20.3 MP sensor Weather-sealed body Panasonic Lumix G Dc-Gh5 Mirrorless Digital Camera Body Only - 20.3 Mp, 4K, Black

**Brand:** panasonic
**Price:** € 24.66
**Availability:** ❌ Out of Stock

## Summary

> 📷 Elevate Your Vision: Capture Life in Stunning Detail!

## Quick Answers

- **What is this?** Panasonic Lumix G Dc-Gh5 Mirrorless Digital Camera Body Only - 20.3 Mp, 4K, Black by panasonic
- **How much does it cost?** € 24.66 with free shipping
- **Is it available?** Currently out of stock
- **Where can I buy it?** [www.desertcart.pt](https://www.desertcart.pt/products/251748864-panasonic-lumix-g-dc-gh5-mirrorless-digital-camera-body-only)

## Best For

- panasonic enthusiasts

## Why This Product

- Trusted panasonic brand quality
- Free international shipping included
- Worldwide delivery with tracking
- 15-day hassle-free returns

## Key Features

- • **Capture Every Detail:** Experience stunning clarity with a 20.3 MP micro four thirds sensor, designed for professionals who demand the best.
- • **Unmatched Durability:** Conquer the elements with a splash and freeze-proof design, ensuring your creativity knows no bounds.
- • **Seamless Connectivity:** Easily connect to external devices with versatile ports, including USB 3.0 and HDMI for a streamlined workflow.
- • **Stabilization Mastery:** Say goodbye to shaky shots with 5-axis dual image stabilization, perfect for both photography and 4K video.
- • **High-Speed Performance:** Record breathtaking 4K video at 60P and capture 6K photos at an astonishing 60 fps, elevating your content creation.

## Overview

The Panasonic Lumix G DC-GH5 is a professional-grade mirrorless digital camera body featuring a 20.3 MP micro four thirds sensor, 4K video recording capabilities, and a robust weather-sealed design. With advanced dual image stabilization and multiple connectivity options, it’s engineered for serious photographers and videographers who demand high performance in any environment.

## Description

From the manufacturer Panasonic Lumix features a 20.3MP sensor and 4K Video recording ability. It is splash, dust, and freeze proof with a rugged design that makes it durable.Panasonic Lumix DC-GH5 Mirrorless Digital Camera is an ideal pick for the photography enthusiasts. It is upgraded, compact, and feature-rich. Incorporating a 20.3MP Digital Live MOS sensor and the latest Venus Engine processor, the camera offers an incredible processing speed. This allows the Lumix Camera to record 4K video at up to 60 fps, 19-bit 4:2:2 internal recording with some of the settings, 12 fps continuous shooting, Full HD video at up to 180 fps, and sensitivities up to ISO 25600. Moreover, the camera integrates an inbuilt 5-axis sensor stabilization that can couple with certain lenses to activate Dual IS 2 for correcting shake issues. The advanced DFD autofocus system is speedy and accurate and can lock on in just 0.05 seconds. Additionally, there is an entirely wireless setup that offers both WiFI and Bluetooth connectivity. Product Specifications 20.3 MP Mirrorless Digital Camera 4K Video Splash/Dust/Freezeproof Rugged Design Venus Engine Processor Incredible Shooter The Panasonic 4k Camera features a 20.3 MP Digital Live MOS sensor with its new Venus Engine processor is made to take pictures with incredible sharpness and clarity. So you can confidently take clear and crisp images with the help of high dynamic range. It also offers accurate three dimension color control and excellent noise minimizing techniques to aid in taking sensitivities up to ISO 25600. Excellent 4K Video Recording The GH5 can take outstanding stills. In addition to that, the flagship can record UHD 4K video at up to 60 fps. Moreover, it can take record 4:2:3 10-bit files at resolutions of up to DCI and UHD 4k at 24/30fps. Also, the camera has a high bit-rate recording for highly detailed pictures free of compression artifacts. Impressive Design The large OLED Live View Finder has a remarkable 3.86m-dot resolution and 0.76x magnification to enable eye-level composition. For a larger means of image composition and playback, there is a 3.2-inch 1.62m dot rear LCD monitor. It has a free angle and a swivel design to support viewing from various angles. The touchscreen allows you to navigate the menu and control settings appropriately. Designed from magnesium with a die-cast armor and rear frames, this camera bears a durable body. The rugged design is also splash, dust, and freeze proof.

Review: Stunningly Beautiful 60 Frames Per Second UHD Videos - Rather than discuss how this camera compares to other similar cameras, I'll focus on my experiences moving up from a smaller camera. My previous choices were all about small size and high built in zoom: if you don't have a camera with you because it's a big nuisance, it's useless. I'm currently using this camera with a Panasonic H-H020A LUMIX G Ultra-Portable Pancake Lens, 20mm/F1.7 ASPH F1.7. The zoom is very close to what the eye sees. Instead of lugging a big expensive zoom lens around on this camera, my wife now carries our small zoom camera. I haven't missed the zoom: just move closer. The camera pouch I bought (DURAGADGET Lightweight & Ultra-Portable Carry Case) still permits carrying this camera with pancake lens on a belt loop. I am now carrying this camera either in a backpack with tripod, directly on the tripod, or by the handle of the pouch when I'm not wearing a belt. I'm a smallest aperture, low ISO (400 appears to be the camera's native sensitivity), long shutter time kind of guy. I cycle my photographs on a large screen TV (on when we're home) at 30 second intervals using the Kodi program fed from a dedicated home theater computer that is running 24/7. Blurry backgrounds in portrait photos on the large screen annoy me and I set up to prevent them. This means using a tripod with the 10 second delay and manually focusing on the person while also viewing a sharp background. In manual focus mode this camera shows a lot of sparkly blue dots for the areas that are in focus and has an option for a digital zoom in on the important area to help with sharp focusing. The 2 second delay for stills without a tripod works very well and is my default. When shooting with manual aperture and manual shutter, these options are easily operated by the top and rear rotation wheels. I just leave the aperture at 16. There is a simple bar graph that shows the optimal shutter speed required. If it gets down to 1/60 second, then I know a tripod is required. If the light is low and I don't have a tripod, then I switch the camera to automatic and just have to accept the resulting graininess and reduced depth of field of the image. I use the built in digital viewfinder with the very helpful horizontal level as the flip out panel acts like a wind sail. The 4K (actually UHD) video recording at 60 frames per second is the main reason I selected this camera. It works great as long as the camera is situated on a heavy tripod that prevents wind vibration. The videos do have some trouble with high ISO graininess early in the sunrises and late in the sunsets. I keep a circular polarizing filter on the camera except when the light is low, or the shots are indoors. Daylight UHD videos are stunningly beautiful and clearly exceed UHD broadcast quality. I tried the 400 Mbps video mode, but it steps down to 30 frames per second and I couldn't see any difference in the color quality on my new TV. The difference between 60 fps and 30 fps is very noticeable and I always use the 60 fps selection. A fabulous camera that I would buy again and doesn't need a big nuisance lens.
Review: One Camera to Rule Them All? - I will update this review as time goes on. At this point I have only experimented with the camera for several hours, but I already have enough information to form a solid foundation for a review (I have also used the GH4 for a few years). I run a small video production company, and for years I have used the GH4 for capturing high quality video. The problem is that every video shoot also requires several high quality/professional photographs. While the GH4 excelled in capturing video as a true camera it always came up short. As a result, I was always forced to lug my Nikon D750 around with me. I would travel with two cameras, and two sets of lenses. Occasionally, I would substitute the Nikon for my Fujix100T or I would substitute the GH4 for my Osmo Pro (recently it has been more of the later). What I need... want... would love .... is camera to do all of it. I guess I could invest in the FF Sony, but the idea of investing in a 3rd set of lenses doesn't exactly excite me. At some point.... either the video on the Olympus will come up... or the photo stills on the Panasonic will improve...right? Based on my tests - I think the GH5 will become my Holy Grail of cameras. I have 0% doubt that it will perform for video (and my the couple of tests I have run look very favorable), but my worry was IQ. The new 20.3MP resolution has me hopeful that the GH5 will become my one camera for all purposes. Photos - Again - I will update this as time goes on - The upgraded sensor seems to make a large difference.In the photos I attached the 1st picture was taken at ISO 400 while the rest were at ISO 1600. Frankly, I always got nervous taking my GH4 above ISO 800 the noise and grain really started to become noticeable. The GH5 looks very usable at ISO 1600 ( I need to check ISO 3200 a little closer). For full disclosure the ISO 1600 shots were taken with the Panasonic Leica f1.2 42.5mm gem of a lens. This is a good point for a tangent,. The reason why i like the MFT format (in addition to the cameras being physically smaller) there are some very excellent lenses out there. I would stack the Olymous Zuiko lenses up against the branded Nikon lenses any day of the week. In addition, ignoring the difference in focal length my Panasonic/Leica f1.2 42.5 rivals my Otus f1.4 55mm for my Nikon (plus it has vibration reduction AND autofocus - eat your heart out Sigma). These high quality lenses are smaller and cost less than their full frame rivals to boot. Now there are some poor lenses too, but if you are willing to pay a little more I have found all of the Panny/Leica and Olympus Zuiko lenses to be very, very good. Other notes - - If you shoot in RAW and use Lightroom you will have to update to 6.9. - The autofocus really is improved. It is very fast on the point. - Has the ability to do focus stacking - I haven't tried this yet - but it is a very interesting function. - Shooting manual is a breeze - I am not sure why Nikon can't copy Panasonic's focus peaking, but if they could... they should. I mentioned I owned the Otus f1.4 55mm.... that lenses would be soooooo much more useful if Nikon offered a similar type of focus peaking. - Low light performance - others may disagree, but I do think that it is better than the GH4. I have very good stills at ISO 1600. However, this might be a counter-intuitive since Panasonic is using the same sized sensor but increasing the resolution. In order for the camera to have better low light performance and higher resolution would require either significantly better algorithms and/or improvements on the actual sensor gathers the light. - Button placement and layout are still very solid. it is easy to navigate WB and ISO settings without moving your eyes (much more difficult on my Nikon D750). - No built in flash. Honestly, I can not remember the last time I used a built in flash. - The camera is not too much larger than the GH4, but it is noticeably heavier. This camera is dense, and while it still has an advantage over my full frame it's losing ground here. Video- - My early footage is excellent. The continuous autofocus is improved (although I do need to run a lot more tests on this one). I loved shooting footage with my GH4, but I usually filmed in manual focus. I never fully trusted the GH4 autofocus - it seemed to spend too much time searching. - The ability to shoot at 180 FPS (you have first select a variable frame rate to get into this menu). - Out of the box it will allow you to record 10 bit straight to SD card (I recommend the new high transfer rate cards). - Image stability - I am very excited for the improvements - but I definitely need to do a lot of testing to see how it really performs. - In short... for video the GH5 will do everything that GH4 will do, but it adds the ability to capture 10 bit footage directly to a SD card, offers weather protection, and in-body stabilization - The screen and viewfinder are excellent. Final Verdict - Again, I will have to update this review - there is MUCH still to be covered (especially for video). However, the early results are very promising and I do believe that Panasonic has made a significant improvement in IQ over the GH4. I may be naive, but I just ASSUMED it would be great for video (minor improvements in the GH4 would have helped maintain its status). The GH5 is roughly double the price of the GH4 so you will need to understand if the photo improvements and the upgrades in video are really worth it to you. For me... it is a no-brainer.... and I am optimistic that for now on I will be carrying just one camera with me! 5 Stars

## Features

- Professional photo and video: 20.3 Megapixel micro four thirds sensor with no low pass filter to capture sharp images with a high dynamic range and artifact free performance
- Splash or Freeze Proof Design: Freeze proof to 10 degrees the durable magnesium alloy body withstands heavy use in the field; Splash or dust proof construction with weather sealing on every Joint, dial and button
- Dual image stabilization: 5 axis dual image stabilization corrects all lenses, including classic lenses not equipped with O. I. S, to eliminate Blur and nearly eliminate body and lens shake in both photo and 4K video recording
- 4K video capture: Records silky smooth 4K 60P by 50P (QFHD 4K: 3840 x 2160 ; MOV or MP4) video with internal 4: 2: 2 10 bit 4K video recording, Plus exclusive 6K photo and 4K post focus records photos up to 60Fps
- Connectivity and Ports: 3.5 millimeter audio port, connect to devices with USB 3.0, an external monitor or external Recorder with a full size HDMI port; Available Twin SD card slots (UHS II U3 compatible)

## Technical Specifications

| Specification | Value |
|---------------|-------|
| ASIN | B01MZ3LQQ5 |
| Age Range Description | Adult |
| Aperture modes | F1.8-F4.0 |
| Are Batteries Included | Yes |
| Aspect Ratio | 16:9 |
| Aspect ratio | 16:9 |
| Auto Focus Technology | Contrast Detection |
| Autofocus | Yes |
| Autofocus Points | 225 |
| Bit Depth | 10 Bit |
| Brand | Panasonic |
| Built-In Media | Camera Body Only |
| Camera Flash | No flash |
| Camera Lens | The Panasonic Lumix GH5 features a 14-element, 12-group lens with optical zoom and dual image stabilization. It has a wide-angle minimum focal length of 20mm and a maximum aperture of f/4, providing good low light performance. |
| Color | black |
| Compatible Devices | Computer, External Storage Device |
| Compatible Mountings | Micro Four Thirds |
| Compatible mountings | Micro Four Thirds |
| Connectivity Technology | Bluetooth, Wi-Fi |
| Continuous Shooting | 12 |
| Crop Mode | Micro Four Thirds |
| Customer Reviews | 4.7 out of 5 stars 300 Reviews |
| Digital Scene Transition | Fake |
| Digital Zoom | 4 x |
| Digital-Still | Yes |
| Display Fixture Type | Articulating |
| Display Resolution Maximum | 1620 |
| Display Type | LCD |
| Dots Per Screen | 1.62m |
| Effective Still Resolution | 20.3 MP |
| Expanded ISO Minimum | 80 |
| Exposure Control | Aperture Priority, Manual, Program, Shutter Priority |
| File Format | MP4, AVCHD |
| Flash Memory Bus Interface Type | UHS-I |
| Flash Memory Speed Class | Class 10 |
| Flash Memory Type | SD / SDHC / SDXC |
| Flash Memory UHS Speed Class | 3 |
| Flash Memory Video Speed Class | U3 |
| Flash Modes | Red Eye Reduction |
| Flash Sync Speed | 1/250 Second |
| Focal Length Description | 7.87 inches |
| Focus Features | Contrast Detection Autofocus |
| Focus Mode | Continuous-Servo AF (AF-C) |
| Focus Type | Auto Focus |
| Form Factor | Mirrorless |
| Generation | 5th |
| Global Trade Identification Number | 00885170307100, 00885170307124 |
| Hardware Interface | AV Port |
| Has Color Screen | Yes |
| Image Capture Type | Stills & Video |
| Image stabilisation | Dual |
| Image stabilization | Dual |
| Item Weight | 1.6 Pounds |
| JPEG Quality Level | Fine |
| Lens Construction | 14 Elements in 12 Groups |
| Lens Type | Zoom |
| Manufacturer | Panasonic |
| Manufacturer Part Number | DC-DC-GH5 |
| Maximum Aperture | 4 f |
| Maximum Image Size | 20.3 MP |
| Maximum Shutter Speed | 8 seconds |
| Memory Slots Available | 2 |
| Metering Methods | Center-Weighted Average, Multiple, Spot |
| Minimum Shutter Speed | 1/8000 Seconds |
| Model Name | DC-GH5KBODY |
| Model Number | DC-GH5 |
| Model Series | GH |
| Movie Mode | Yes |
| Night vision | No |
| Number of Diaphragm Blades | 9 |
| Optical Zoom | 1 x |
| Optical zoom | 1 x |
| Photo Filter Size | 62 Millimeters |
| Photo Sensor Resolution | 20.3 MP |
| Photo Sensor Size | Micro Four Thirds |
| Photo sensor technology | CMOS |
| Real Angle Of View | 10.2 Degrees |
| Remote Included | No |
| Screen Size | 3.2 Inches |
| Self Timer | 10 Seconds |
| Sensor Type | CMOS |
| Shooting Modes | Automatic, Program |
| Skill Level | Professional |
| Special Feature | 4K video recording and slow motion |
| Specific Uses For Product | Photography, Videography |
| Supported Image Format | JPEG |
| Supported file format | MP4, AVCHD |
| Total Still Resolution | 20.3 MP |
| Total USB 3.0 Ports | 2 |
| Total USB Ports | 2 |
| Touch Screen Type | Capacitive |
| UPC | 885170307124 885170307100 |
| Unit Count | 1 Count |
| Video Output | HDMI |
| Video Resolution | 4K UHD 2160p |
| Viewfinder | Electronic |
| Viewfinder Magnification | 0.76x |
| Warranty Description | 1 |
| White Balance Settings | Auto |
| Wireless Technology | Bluetooth |
| Write Speed | 12 fps |
| Zoom | Zoom digital e óptico |

## Product Details

- **Compatible mountings:** Micro Four Thirds
- **Aspect ratio:** 16:9
- **Photo sensor technology:** MOS
- **Supported file format:** MP4, AVCHD
- **Image stabilisation:** Dual
- **Optical zoom:** 1 x
- **Maximum aperture:** 4 f
- **Expanded ISO minimum:** 80
- **Metering description:** Center-Weighted Average, Multiple, Spot
- **Brand:** Panasonic

## Images

![Panasonic Lumix G Dc-Gh5 Mirrorless Digital Camera Body Only - 20.3 Mp, 4K, Black - Image 1](https://m.media-amazon.com/images/I/71urbSpSsjL.jpg)
![Panasonic Lumix G Dc-Gh5 Mirrorless Digital Camera Body Only - 20.3 Mp, 4K, Black - Image 2](https://m.media-amazon.com/images/I/71ZISj8faJL.jpg)
![Panasonic Lumix G Dc-Gh5 Mirrorless Digital Camera Body Only - 20.3 Mp, 4K, Black - Image 3](https://m.media-amazon.com/images/I/61xSBuyOvPL.jpg)
![Panasonic Lumix G Dc-Gh5 Mirrorless Digital Camera Body Only - 20.3 Mp, 4K, Black - Image 4](https://m.media-amazon.com/images/I/71SsiH3jRWL.jpg)
![Panasonic Lumix G Dc-Gh5 Mirrorless Digital Camera Body Only - 20.3 Mp, 4K, Black - Image 5](https://m.media-amazon.com/images/I/61EBO24+dJL.jpg)

## Questions & Answers

**Q: What is the warranty?**
A: All electronBazaar have a full 12 months manufacturers warranty from the date of purchase
regards
The electronBazaar Crew

## Customer Reviews

### ⭐⭐⭐⭐⭐ Stunningly Beautiful 60 Frames Per Second UHD Videos
*by B***L on 16 February 2018*

Rather than discuss how this camera compares to other similar cameras, I'll focus on my experiences moving up from a smaller camera. My previous choices were all about small size and high built in zoom: if you don't have a camera with you because it's a big nuisance, it's useless. I'm currently using this camera with a Panasonic H-H020A LUMIX G Ultra-Portable Pancake Lens, 20mm/F1.7 ASPH F1.7. The zoom is very close to what the eye sees. Instead of lugging a big expensive zoom lens around on this camera, my wife now carries our small zoom camera. I haven't missed the zoom: just move closer. The camera pouch I bought (DURAGADGET Lightweight & Ultra-Portable Carry Case) still permits carrying this camera with pancake lens on a belt loop. I am now carrying this camera either in a backpack with tripod, directly on the tripod, or by the handle of the pouch when I'm not wearing a belt. I'm a smallest aperture, low ISO (400 appears to be the camera's native sensitivity), long shutter time kind of guy. I cycle my photographs on a large screen TV (on when we're home) at 30 second intervals using the Kodi program fed from a dedicated home theater computer that is running 24/7. Blurry backgrounds in portrait photos on the large screen annoy me and I set up to prevent them. This means using a tripod with the 10 second delay and manually focusing on the person while also viewing a sharp background. In manual focus mode this camera shows a lot of sparkly blue dots for the areas that are in focus and has an option for a digital zoom in on the important area to help with sharp focusing. The 2 second delay for stills without a tripod works very well and is my default. When shooting with manual aperture and manual shutter, these options are easily operated by the top and rear rotation wheels. I just leave the aperture at 16. There is a simple bar graph that shows the optimal shutter speed required. If it gets down to 1/60 second, then I know a tripod is required. If the light is low and I don't have a tripod, then I switch the camera to automatic and just have to accept the resulting graininess and reduced depth of field of the image. I use the built in digital viewfinder with the very helpful horizontal level as the flip out panel acts like a wind sail. The 4K (actually UHD) video recording at 60 frames per second is the main reason I selected this camera. It works great as long as the camera is situated on a heavy tripod that prevents wind vibration. The videos do have some trouble with high ISO graininess early in the sunrises and late in the sunsets. I keep a circular polarizing filter on the camera except when the light is low, or the shots are indoors. Daylight UHD videos are stunningly beautiful and clearly exceed UHD broadcast quality. I tried the 400 Mbps video mode, but it steps down to 30 frames per second and I couldn't see any difference in the color quality on my new TV. The difference between 60 fps and 30 fps is very noticeable and I always use the 60 fps selection. A fabulous camera that I would buy again and doesn't need a big nuisance lens.

### ⭐⭐⭐⭐⭐ One Camera to Rule Them All?
*by C***E on 4 April 2017*

I will update this review as time goes on. At this point I have only experimented with the camera for several hours, but I already have enough information to form a solid foundation for a review (I have also used the GH4 for a few years). I run a small video production company, and for years I have used the GH4 for capturing high quality video. The problem is that every video shoot also requires several high quality/professional photographs. While the GH4 excelled in capturing video as a true camera it always came up short. As a result, I was always forced to lug my Nikon D750 around with me. I would travel with two cameras, and two sets of lenses. Occasionally, I would substitute the Nikon for my Fujix100T or I would substitute the GH4 for my Osmo Pro (recently it has been more of the later). What I need... want... would love .... is camera to do all of it. I guess I could invest in the FF Sony, but the idea of investing in a 3rd set of lenses doesn't exactly excite me. At some point.... either the video on the Olympus will come up... or the photo stills on the Panasonic will improve...right? Based on my tests - I think the GH5 will become my Holy Grail of cameras. I have 0% doubt that it will perform for video (and my the couple of tests I have run look very favorable), but my worry was IQ. The new 20.3MP resolution has me hopeful that the GH5 will become my one camera for all purposes. Photos - Again - I will update this as time goes on - The upgraded sensor seems to make a large difference.In the photos I attached the 1st picture was taken at ISO 400 while the rest were at ISO 1600. Frankly, I always got nervous taking my GH4 above ISO 800 the noise and grain really started to become noticeable. The GH5 looks very usable at ISO 1600 ( I need to check ISO 3200 a little closer). For full disclosure the ISO 1600 shots were taken with the Panasonic Leica f1.2 42.5mm gem of a lens. This is a good point for a tangent,. The reason why i like the MFT format (in addition to the cameras being physically smaller) there are some very excellent lenses out there. I would stack the Olymous Zuiko lenses up against the branded Nikon lenses any day of the week. In addition, ignoring the difference in focal length my Panasonic/Leica f1.2 42.5 rivals my Otus f1.4 55mm for my Nikon (plus it has vibration reduction AND autofocus - eat your heart out Sigma). These high quality lenses are smaller and cost less than their full frame rivals to boot. Now there are some poor lenses too, but if you are willing to pay a little more I have found all of the Panny/Leica and Olympus Zuiko lenses to be very, very good. Other notes - - If you shoot in RAW and use Lightroom you will have to update to 6.9. - The autofocus really is improved. It is very fast on the point. - Has the ability to do focus stacking - I haven't tried this yet - but it is a very interesting function. - Shooting manual is a breeze - I am not sure why Nikon can't copy Panasonic's focus peaking, but if they could... they should. I mentioned I owned the Otus f1.4 55mm.... that lenses would be soooooo much more useful if Nikon offered a similar type of focus peaking. - Low light performance - others may disagree, but I do think that it is better than the GH4. I have very good stills at ISO 1600. However, this might be a counter-intuitive since Panasonic is using the same sized sensor but increasing the resolution. In order for the camera to have better low light performance and higher resolution would require either significantly better algorithms and/or improvements on the actual sensor gathers the light. - Button placement and layout are still very solid. it is easy to navigate WB and ISO settings without moving your eyes (much more difficult on my Nikon D750). - No built in flash. Honestly, I can not remember the last time I used a built in flash. - The camera is not too much larger than the GH4, but it is noticeably heavier. This camera is dense, and while it still has an advantage over my full frame it's losing ground here. Video- - My early footage is excellent. The continuous autofocus is improved (although I do need to run a lot more tests on this one). I loved shooting footage with my GH4, but I usually filmed in manual focus. I never fully trusted the GH4 autofocus - it seemed to spend too much time searching. - The ability to shoot at 180 FPS (you have first select a variable frame rate to get into this menu). - Out of the box it will allow you to record 10 bit straight to SD card (I recommend the new high transfer rate cards). - Image stability - I am very excited for the improvements - but I definitely need to do a lot of testing to see how it really performs. - In short... for video the GH5 will do everything that GH4 will do, but it adds the ability to capture 10 bit footage directly to a SD card, offers weather protection, and in-body stabilization - The screen and viewfinder are excellent. Final Verdict - Again, I will have to update this review - there is MUCH still to be covered (especially for video). However, the early results are very promising and I do believe that Panasonic has made a significant improvement in IQ over the GH4. I may be naive, but I just ASSUMED it would be great for video (minor improvements in the GH4 would have helped maintain its status). The GH5 is roughly double the price of the GH4 so you will need to understand if the photo improvements and the upgrades in video are really worth it to you. For me... it is a no-brainer.... and I am optimistic that for now on I will be carrying just one camera with me! 5 Stars

### ⭐⭐⭐⭐⭐ A True Workhorse — Reliable, Durable, and Built for Professionals
*by J***N on 15 October 2025*

I’ve been using the Panasonic LUMIX GH5 since 2019, and it’s easily one of the best investments I’ve ever made for video production. I’ve traveled all over the Caribbean with it and filmed hundreds of projects, from documentaries to church services and events, and it’s never once let me down. The image quality is outstanding — sharp 4K footage, great color science, and the ability to shoot 4:2:2 10-bit video makes it perfect for professional work. The in-body stabilization (5-axis Dual I.S. 2.0) is a lifesaver for handheld shots, and the full-size HDMI output is great for external monitors and recording setups. What stands out most is its durability. It’s been through heat, humidity, travel, and long shoot days, and it still performs like new. The battery life is solid, the menu system is intuitive, and the autofocus, while not perfect, gets the job done once you know how to work with it. Even in 2025, this camera continues to deliver cinematic results that hold up against much newer models. The GH5 is truly a legendary camera — dependable, rugged, and capable of producing beautiful images year after year.

## Frequently Bought Together

- Panasonic Lumix G Dc-Gh5 Mirrorless Digital Camera Body Only - 20.3 Mp, 4K, Black
- Panasonic LUMIX G Lens, 25mm, F1.7 ASPH, Mirrorless Micro Four Thirds, H-H025K (USA Black)
- SanDisk 128GB Extreme PRO SDXC card + RescuePRO Deluxe, up to 200MB/s, UHS I, Class 10, U3, V30 SDSDXXD 128G GN4IN, Black

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*Last updated: 2026-09-18*