---
product_id: 56464034
title: "Batman Begins (4K Ultra HD)"
price: "€ 27.23"
currency: EUR
in_stock: true
reviews_count: 8
url: https://www.desertcart.pt/products/56464034-batman-begins-4k-ultra-hd
store_origin: PT
region: Portugal
---

# Batman Begins (4K Ultra HD)

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## Description

As a young boy, Bruce Wayne watched in horror as his millionaire parents were slain in front of him--a trauma that leads him to become obsessed with revenge. But the opportunity to avenge his parents' deaths is cruelly taken away from him by fate. Fleeing to the East, where he seeks counsel with the dangerous but honorable ninja cult leader known as Ra's Al-Ghul, Bruce returns to his now decaying Gotham City, which is overrun by organized crime and other dangerous individuals manipulating the system. Meanwhile, Bruce is slowly being swindled out of Wayne Industries, the company he inherited. The discovery of a cave under his mansion, along with a prototype armored suit, leads him to assume a new persona, one which will strike fear into the hearts of men who do wrong; he becomes Batman!!!

Review: (A guy who dresses up like a bat, clearly has issues)-Bruce Wayne... - To that end, Bale's portrayal of Bruce Wayne/Batman has given a wonderful performance of a man with deep psychological turmoil. As an "origin story", like it has never been told on the big screen before, much credit to the direction, production and acting is deserved. An unthinkable horror for a young boy to witness, as both parents are shot down in cold blood before his eyes. The trauma set into motion a series of events for young Bruce that would mold him into the man he became. Never truly dealing with the PTSD he lived with, he grew to hate all evil in all people and places. At times, he saw it worse than the reality of its being. This is what forced him to go into self induced exile. If only to seek more evil and justify the fight under the pretense of justice. To have us, the viewer, understand Bruce's mental and emotional break from his renown fame and status, Nolan phased the storyline quickly. Maybe too rapidly. Could a young, wealthy man just disappear for 7 years with only his trusted confidant Alfred awareness? Sure. Is it possible for a man to cross ice sheets with crevasses of 20 feet apart with NO special gear? No. Of course he was able to be imprisoned for stealing from a Wayne Enterprises product. That was the goal. But after meeting Henri Ducard, (decent performance by Liam Neeson), and suggested to turn his idea into an ideal, to then climb to the Cantonese Monastery is a bit of comic book ability. Nolan must keep the film to time and advance the storyline. I guess the presumption was folks can figure out the small missing time spots. My 12 year old son did and he has not heard the origin story. Once the Mentor/trainee brutality of artful fighting has concluded, Bruce is faced with his first moral dilemma. Does he decapitate the criminal as Ra's Al Ghul demands? If so, his initiation into "The League of Shadows" would be complete. Only to learn that Ra's has greater plans to destroy Gotham as has been done to all great civilizations before it once gluttony and sinful waste has become all encompassing. Or, choose his own path of seemingly righteous, one man against evil and corruption that has overtaken Gotham? Taking the road of saving Gotham but carrying the weight of the horrific sights viewed as a boy, Bruce negates his Mentors wicked wisdom. The same could be said for anyone who has been scarred from wounds left open and salt poured on every now and then. Bruce was a well-groomed boy. He knows wrong from right. He thinks of his city, his home, first. Destroying Ra's Al Guhl might save it and prevent cataclysmic events to other peoples in the future. Yet his single-mindedness has betrayed him. The League of Shadows is not a man or of men. It is a symbolic society that restores harmony to any unbalanced civilization, as THEY see it! Bruce returns to Gotham with a new vigor. A man on a mission. Rid the city of the evils that took his parents as it were. Seeking to be more than a vigilante, he looks within his own darkest place. His mind. The darkest fears that haunt him will be the fear he will instill in his enemies. Are they his enemies? Well, this is where all the other Batman movies pick up. The George Clooney and Michael Keaton versions sort of missed the point. Don't get me wrong. They were fun in a funny, Hollywood way. Unfortunately neither actor grasped the true Darkness of who Batman is. Batman, as told by the Frank Miller stories, is seriously dark and a tad twisted. Batman isn't a real Superhero. More likely, he's a "rebel-anti-hero." This is why I feel Bale has brought the character directly from the Miller pages to the big screen so well. He is brooding, torn, lonely and on the edge of psychosis. Purely stemming from never confronting his childhood trauma. The Cowl not only hides his face but it brings out Bruce's angst. The anger and rage that underlies his every waking moment. As Batman, the ideals he adopted can be an advantage. Even if it takes him deeper into those dark places he has feared. Perfectly spoken to Flass, Batman questions him of the whereabouts and nature of the drugs. Flass says, "I don't know, I swear to god!" Batman responds with, "Swear to me!" We see the beginnings of Batman who sometimes changes back to Bruce Wayne. All he has left is Alfred/Michael Caine. Caine has truly revamped the importance Alfred plays out in Bruce's life. He is the moral compass that grounds Bruce to the Wayne name, and still keeps Batman on his feet! Caine is incredibly versatile in every role he's done! Lucious Fox/Morgan Freeman has provided Batman every item that is synonymous to the character. Bruce has the money, Fox has the tech knowhow. The relationship between the two shows a trust and professionalism of both actors who stay true to Miller's work. Caine is so talented that he can make the third to Bale and Freeman so believable. Now that Batman is outfitted with all his toys, the Tumbler makes its way into the pinnacle of Batman's success. Realizing that Dr. Crane/Cillian Murphy, AKA The Scarecrow, is but a pawn for Batman' s ultimate showdown with the League of Shadows, he pulls out all the stops. Befriending Lt. Gordon/Gary Oldman, they both work together to stop Gotham's end. As Batman says, he doesn't have the luxury of friends. Without enlisting the beginning of a quasi friendship with Gordon, Gotham would have been ripped apart by the inhabitants gone insane from the dispersant of the drugs. Every superhero needs help. The love interest? Katie Holmes did a fine job as Rachel Dawes. Nothing spectacular, compared to the A-list'ers here, she held her own. Defeating Ducard and the Microwave Emitter, Batman sure left a heck of a lot of destruction in his wake! The flattened cop cars via the Tumbler. Crazy rooftop jumps and wasted units on those roofs. How many people might have been lost in those collapsed cop cars? The crushed concrete lane dividers, the end of that entire Monorail system and it's last few carriages...and so much more! Seems like Batman leaves more destruction behind him then the bad guys! Yet this is a blow-up, action, Superhero. A hero who lives on the edge of sanity and teeters off the other end. This is what the Frank Miller stories had depicted Batman to be, a very dark figure who must walk a very fine line. Sometimes Batman needs to step across that line to do what others can't or won't. The darkness that stews within lags from the hell he saw in youth. The unchecked crime in his city and a corrupt police force that were on the take. This is not a pretty movie. Not the Tim Burton film or the 60's Batman & Robin. No. THIS is exactly the Batman that was so beautifully drawn less than 20 years ago. A character who is suffering immensely and with all his wealth and family power, sleeps alone. Nightmares about the bats that attacked him down in the well on his family property. No superhero can save you in your worst nightmares!
Review: Batman rides again - First, a recap - after the success of the 1978 Superman film, Warner Brothers was eager to bring another DC Comic book character to the big screen, so naturally, they turned their eyes to the only other DC character who could rival/match Superman for pop culture icon status, Batman (although Wonder Woman is in third place). For ten long, seemingly fruitless years, Warner Brothers and DC struggled to bring Batman to the big screen in hopes that the Dark Knight could have back-to-back success with his big brother the Man of Steel (at the same time, sadly, Superman's film franchise went into a slow, steady decline), with various writers, directors and actors coming, going, jumping on, jumping off, jumping back on, jumping back off again, etc. But then Tim Burton, then a new visionary talent on the rise, came along with just enough familiarity with Batman and just enough strength of will and vision to make it happen, and with the backing of the success of "Beetle-Juice", Warners Brothers were just crazy enough to let Tim have a go at it, even if it meant hiring the seemingly less than ideal but in the end very effective Michael Keaton to play the title character. Then in the summer of 1989, with Superman's never ending battle for truth, justice and the American way having died on the big screen, Batman stepped in to fill the void, and a phenomenon of epic proportions so rarely seen before or since was born. Then came 1992's "Batman Returns", which was also a mega-hit but inspired a backlash from parents who found the film to be too dark and mean-spirited for their kids (parents reportedly had to drag crying children out of the theater that summer). In response to this and speculation that Batman couldn't hold the fort, Burton was politely asked to step aside and his friend Joel Schumacher came on board with a new Batman, Val Kilmer, stepping in for an MIA Keaton, with the flashier, more light-hearted "Batman Forever", which was also a hit despite taking a great deal of flack over stuff like rubber nipples on the bat suit. But then everything came falling down with "Batman & Robin", which many complained was too campy while the 2nd film had been too dark, and which featured another new Batman, George Clooney, playing the Dark Knight as a light-hearted scamp (Kilmer at least tried to capture the essence of Batman) in a film that proved to be too much of everything - too garishly bright, too over the top in spectacle, too overly produced and over-exposed it forced the WB to give Batman a time out, leaving Joel Schumacher with a long and bitter battle on his hands as he fought to rebuild his reputation as an actually good director while Clooney went on to bigger, better things. But Warner Brothers wasn't quite done with Batman just yet. After all, he's one of the great iconic comic book characters alongside the X-Men, Spider-Man and of course, big brother Superman. And once again the WB and DC struggled to get the movie Batman back on his feet, but it would require slimming/trimming/toning it down and going back to basics. Once again, writers, directors, and actors came and went in the seven years between now and then, but finally things came together with director Christopher Nolan, writer David S. Goyer and star Christian Bale. But how to make it fresh, appealing, new, not simply a rehash of the previous films but still undeniably Batman? By going back to the beginning, delving into what the earlier films only hinted at or lightly touched upon, so much so to the point that in the beginning it doesn't even feel like a Batman film. The result is the familiar but well told origin story of how Bruce Wayne lost his wealthy and warm-hearted parents to a random mugger, Joe Chill, but still in connection with criminal kingpin Falcone (Tom Wilkinson). Years later the conflicted, spiritually lost adult Bruce (Bale), torn between a genuine desire for justice and his thirsting for revenge, embarks on a journey unto which he confronts his deepest fears, trains and hardens himself to his very limits and then, coming back to Gotham City to become symbolic avenger of injustice, the Batman, aided by loyal man-servant/surrogate father figure Alfred (well played by Michael Caine). Additionally, Batman must fight not only Falcone but the Scarecrow/Dr. Jon Crane (a lightweight Cillian Murphy), and Ra's Ah Guhl (played by Ken Watanabe and Liam Neeson, the latter in a rare villainous/anti-hero role that he plays very well), and he must reclaim his father's company from the unscrupulous Rutger Hauer with help from Morgan Freeman as Luscious Fox, make an alliance with Gary Oldman's Sgt/Lt./eventually Commissioner Jim Gordon, and rescue his foxy/sexy childhood friend turned lawyer brunette Rachael Dawes (Katie Holmes at the beginning of the Tom Cruise fiasco). Batman/Bruce Wayne is well played by Christian Bale. At times reusing his "American Psycho" performance, Bale hits a few flat notes but on the whole he's the best new Batman anyone could hope for: 6-feet tall, good looking, muscular, and actually possessing good solid acting ability, here's hoping they don't lose him.

## Technical Specifications

| Specification | Value |
|---------------|-------|
| Contributor | Benjamin Melniker, Charles Roven, Christian Bale, Christopher Nolan, Cillian Murphy, Emma Thomas, Gary Oldman, Katie Holmes, Ken Watanabe, Larry Franco, Liam Neeson, Michael Caine, Michael E. Uslan, Morgan Freeman, Rutger Hauer, Tom Wilkinson Contributor Benjamin Melniker, Charles Roven, Christian Bale, Christopher Nolan, Cillian Murphy, Emma Thomas, Gary Oldman, Katie Holmes, Ken Watanabe, Larry Franco, Liam Neeson, Michael Caine, Michael E. Uslan, Morgan Freeman, Rutger Hauer, Tom Wilkinson See more |
| Customer Reviews | 4.7 out of 5 stars 5,518 Reviews |
| Format | 4K |
| Genre | Action & Adventure, Drama, Mystery & Suspense, Mystery & Suspense/Crime, Mystery & Suspense/Thrillers, Science Fiction & Fantasy Genre Action & Adventure, Drama, Mystery & Suspense, Mystery & Suspense/Crime, Mystery & Suspense/Thrillers, Science Fiction & Fantasy See more |
| Initial release date | 2017-12-19 |
| Language | English |

## Product Details

- **Format:** 4K
- **Initial release date:** 2017-12-19
- **Language:** English

## Images

![Batman Begins (4K Ultra HD) - Image 1](https://m.media-amazon.com/images/I/81SfSOn0z7L.jpg)
![Batman Begins (4K Ultra HD) - Image 2](https://m.media-amazon.com/images/I/71DXmEZ0XNL.jpg)
![Batman Begins (4K Ultra HD) - Image 3](https://m.media-amazon.com/images/I/91xY628BNyL.jpg)

## Customer Reviews

### ⭐⭐⭐⭐⭐ (A guy who dresses up like a bat, clearly has issues)-Bruce Wayne...
*by J***Z on February 15, 2014*

To that end, Bale's portrayal of Bruce Wayne/Batman has given a wonderful performance of a man with deep psychological turmoil. As an "origin story", like it has never been told on the big screen before, much credit to the direction, production and acting is deserved. An unthinkable horror for a young boy to witness, as both parents are shot down in cold blood before his eyes. The trauma set into motion a series of events for young Bruce that would mold him into the man he became. Never truly dealing with the PTSD he lived with, he grew to hate all evil in all people and places. At times, he saw it worse than the reality of its being. This is what forced him to go into self induced exile. If only to seek more evil and justify the fight under the pretense of justice. To have us, the viewer, understand Bruce's mental and emotional break from his renown fame and status, Nolan phased the storyline quickly. Maybe too rapidly. Could a young, wealthy man just disappear for 7 years with only his trusted confidant Alfred awareness? Sure. Is it possible for a man to cross ice sheets with crevasses of 20 feet apart with NO special gear? No. Of course he was able to be imprisoned for stealing from a Wayne Enterprises product. That was the goal. But after meeting Henri Ducard, (decent performance by Liam Neeson), and suggested to turn his idea into an ideal, to then climb to the Cantonese Monastery is a bit of comic book ability. Nolan must keep the film to time and advance the storyline. I guess the presumption was folks can figure out the small missing time spots. My 12 year old son did and he has not heard the origin story. Once the Mentor/trainee brutality of artful fighting has concluded, Bruce is faced with his first moral dilemma. Does he decapitate the criminal as Ra's Al Ghul demands? If so, his initiation into "The League of Shadows" would be complete. Only to learn that Ra's has greater plans to destroy Gotham as has been done to all great civilizations before it once gluttony and sinful waste has become all encompassing. Or, choose his own path of seemingly righteous, one man against evil and corruption that has overtaken Gotham? Taking the road of saving Gotham but carrying the weight of the horrific sights viewed as a boy, Bruce negates his Mentors wicked wisdom. The same could be said for anyone who has been scarred from wounds left open and salt poured on every now and then. Bruce was a well-groomed boy. He knows wrong from right. He thinks of his city, his home, first. Destroying Ra's Al Guhl might save it and prevent cataclysmic events to other peoples in the future. Yet his single-mindedness has betrayed him. The League of Shadows is not a man or of men. It is a symbolic society that restores harmony to any unbalanced civilization, as THEY see it! Bruce returns to Gotham with a new vigor. A man on a mission. Rid the city of the evils that took his parents as it were. Seeking to be more than a vigilante, he looks within his own darkest place. His mind. The darkest fears that haunt him will be the fear he will instill in his enemies. Are they his enemies? Well, this is where all the other Batman movies pick up. The George Clooney and Michael Keaton versions sort of missed the point. Don't get me wrong. They were fun in a funny, Hollywood way. Unfortunately neither actor grasped the true Darkness of who Batman is. Batman, as told by the Frank Miller stories, is seriously dark and a tad twisted. Batman isn't a real Superhero. More likely, he's a "rebel-anti-hero." This is why I feel Bale has brought the character directly from the Miller pages to the big screen so well. He is brooding, torn, lonely and on the edge of psychosis. Purely stemming from never confronting his childhood trauma. The Cowl not only hides his face but it brings out Bruce's angst. The anger and rage that underlies his every waking moment. As Batman, the ideals he adopted can be an advantage. Even if it takes him deeper into those dark places he has feared. Perfectly spoken to Flass, Batman questions him of the whereabouts and nature of the drugs. Flass says, "I don't know, I swear to god!" Batman responds with, "Swear to me!" We see the beginnings of Batman who sometimes changes back to Bruce Wayne. All he has left is Alfred/Michael Caine. Caine has truly revamped the importance Alfred plays out in Bruce's life. He is the moral compass that grounds Bruce to the Wayne name, and still keeps Batman on his feet! Caine is incredibly versatile in every role he's done! Lucious Fox/Morgan Freeman has provided Batman every item that is synonymous to the character. Bruce has the money, Fox has the tech knowhow. The relationship between the two shows a trust and professionalism of both actors who stay true to Miller's work. Caine is so talented that he can make the third to Bale and Freeman so believable. Now that Batman is outfitted with all his toys, the Tumbler makes its way into the pinnacle of Batman's success. Realizing that Dr. Crane/Cillian Murphy, AKA The Scarecrow, is but a pawn for Batman' s ultimate showdown with the League of Shadows, he pulls out all the stops. Befriending Lt. Gordon/Gary Oldman, they both work together to stop Gotham's end. As Batman says, he doesn't have the luxury of friends. Without enlisting the beginning of a quasi friendship with Gordon, Gotham would have been ripped apart by the inhabitants gone insane from the dispersant of the drugs. Every superhero needs help. The love interest? Katie Holmes did a fine job as Rachel Dawes. Nothing spectacular, compared to the A-list'ers here, she held her own. Defeating Ducard and the Microwave Emitter, Batman sure left a heck of a lot of destruction in his wake! The flattened cop cars via the Tumbler. Crazy rooftop jumps and wasted units on those roofs. How many people might have been lost in those collapsed cop cars? The crushed concrete lane dividers, the end of that entire Monorail system and it's last few carriages...and so much more! Seems like Batman leaves more destruction behind him then the bad guys! Yet this is a blow-up, action, Superhero. A hero who lives on the edge of sanity and teeters off the other end. This is what the Frank Miller stories had depicted Batman to be, a very dark figure who must walk a very fine line. Sometimes Batman needs to step across that line to do what others can't or won't. The darkness that stews within lags from the hell he saw in youth. The unchecked crime in his city and a corrupt police force that were on the take. This is not a pretty movie. Not the Tim Burton film or the 60's Batman & Robin. No. THIS is exactly the Batman that was so beautifully drawn less than 20 years ago. A character who is suffering immensely and with all his wealth and family power, sleeps alone. Nightmares about the bats that attacked him down in the well on his family property. No superhero can save you in your worst nightmares!

### ⭐⭐⭐⭐⭐ Batman rides again
*by W***V on August 27, 2006*

First, a recap - after the success of the 1978 Superman film, Warner Brothers was eager to bring another DC Comic book character to the big screen, so naturally, they turned their eyes to the only other DC character who could rival/match Superman for pop culture icon status, Batman (although Wonder Woman is in third place). For ten long, seemingly fruitless years, Warner Brothers and DC struggled to bring Batman to the big screen in hopes that the Dark Knight could have back-to-back success with his big brother the Man of Steel (at the same time, sadly, Superman's film franchise went into a slow, steady decline), with various writers, directors and actors coming, going, jumping on, jumping off, jumping back on, jumping back off again, etc. But then Tim Burton, then a new visionary talent on the rise, came along with just enough familiarity with Batman and just enough strength of will and vision to make it happen, and with the backing of the success of "Beetle-Juice", Warners Brothers were just crazy enough to let Tim have a go at it, even if it meant hiring the seemingly less than ideal but in the end very effective Michael Keaton to play the title character. Then in the summer of 1989, with Superman's never ending battle for truth, justice and the American way having died on the big screen, Batman stepped in to fill the void, and a phenomenon of epic proportions so rarely seen before or since was born. Then came 1992's "Batman Returns", which was also a mega-hit but inspired a backlash from parents who found the film to be too dark and mean-spirited for their kids (parents reportedly had to drag crying children out of the theater that summer). In response to this and speculation that Batman couldn't hold the fort, Burton was politely asked to step aside and his friend Joel Schumacher came on board with a new Batman, Val Kilmer, stepping in for an MIA Keaton, with the flashier, more light-hearted "Batman Forever", which was also a hit despite taking a great deal of flack over stuff like rubber nipples on the bat suit. But then everything came falling down with "Batman & Robin", which many complained was too campy while the 2nd film had been too dark, and which featured another new Batman, George Clooney, playing the Dark Knight as a light-hearted scamp (Kilmer at least tried to capture the essence of Batman) in a film that proved to be too much of everything - too garishly bright, too over the top in spectacle, too overly produced and over-exposed it forced the WB to give Batman a time out, leaving Joel Schumacher with a long and bitter battle on his hands as he fought to rebuild his reputation as an actually good director while Clooney went on to bigger, better things. But Warner Brothers wasn't quite done with Batman just yet. After all, he's one of the great iconic comic book characters alongside the X-Men, Spider-Man and of course, big brother Superman. And once again the WB and DC struggled to get the movie Batman back on his feet, but it would require slimming/trimming/toning it down and going back to basics. Once again, writers, directors, and actors came and went in the seven years between now and then, but finally things came together with director Christopher Nolan, writer David S. Goyer and star Christian Bale. But how to make it fresh, appealing, new, not simply a rehash of the previous films but still undeniably Batman? By going back to the beginning, delving into what the earlier films only hinted at or lightly touched upon, so much so to the point that in the beginning it doesn't even feel like a Batman film. The result is the familiar but well told origin story of how Bruce Wayne lost his wealthy and warm-hearted parents to a random mugger, Joe Chill, but still in connection with criminal kingpin Falcone (Tom Wilkinson). Years later the conflicted, spiritually lost adult Bruce (Bale), torn between a genuine desire for justice and his thirsting for revenge, embarks on a journey unto which he confronts his deepest fears, trains and hardens himself to his very limits and then, coming back to Gotham City to become symbolic avenger of injustice, the Batman, aided by loyal man-servant/surrogate father figure Alfred (well played by Michael Caine). Additionally, Batman must fight not only Falcone but the Scarecrow/Dr. Jon Crane (a lightweight Cillian Murphy), and Ra's Ah Guhl (played by Ken Watanabe and Liam Neeson, the latter in a rare villainous/anti-hero role that he plays very well), and he must reclaim his father's company from the unscrupulous Rutger Hauer with help from Morgan Freeman as Luscious Fox, make an alliance with Gary Oldman's Sgt/Lt./eventually Commissioner Jim Gordon, and rescue his foxy/sexy childhood friend turned lawyer brunette Rachael Dawes (Katie Holmes at the beginning of the Tom Cruise fiasco). Batman/Bruce Wayne is well played by Christian Bale. At times reusing his "American Psycho" performance, Bale hits a few flat notes but on the whole he's the best new Batman anyone could hope for: 6-feet tall, good looking, muscular, and actually possessing good solid acting ability, here's hoping they don't lose him.

### ⭐⭐⭐⭐⭐ Saving the franchise one batarang at a time.
*by M***E on May 25, 2009*

As a small child, Bruce Wayne witnesses the murder of his multi-millionaire father and mother in an alley. Thankfully before their death, they imbedded Bruce with good teachings to make him a good man when he grows up. Later on in life, as a young man, Bruce Wayne (Christian Bale) comes back to Gotham City seeking revenge on the man that killed his parents. When plans don't go accordingly, and also when he lets someone know what his intentions were, he realizes that his path for doing good for the city, isn't the correct path to do it in. So he leaves Gotham to escape and to find his way. And then a man by the name of Henri Ducard (Liam Neeson) finds Bruce and tells him of a secret place that will teach him to fight for justice, but he must get there alone. When Bruce gets there, he begins his training in martial arts, ways of the ninja, and fighting what he fears most. After 7 years, Bruce finally returns to a Gotham City that is slowly falling into the bad guys hands. And Bruce takes it upon himself to help rid Gotham of the bad. To make them fear what he fears. To make them face Batman. As Batman begins to clean up the city, he finds out about a plan that will destroy Gotham City schemed up by Scarecrow (Cillian Murphy) and someone from his past. A toxin that will make everyone go crazy is about to be released in Gotham and Batman is the only one that can stop it. After some really bad Batman sequels (4 and 5 in particular), the franchise seemed to have been shot like a race horse with a broken leg. How could you ever come back from nipples on the bat suit? And then Christopher Nolan steps up and says "Hey yo, WB, I'm bout to hit you up the side of the head with a sweet Batman cause you know, I did Memento and Insomnia". Ok he didn't really say that, but he did promise them greatness, and greatness was delivered. While at first you think Batman starts off a little slow, you have to realize that we are delving into the persona of Batman himself. The reasons why he became the bat. The way he learned to fight the way he does. And to realize the biggest thing of all... that Batman is just a man. He has no super powers. He gets hurt just like the rest of us, except his been in some rigorous training to help ignore a lot of the pain. And it's great to see the two separate entities when it comes to Bruce and the Bats. Batman is the true man now, while Bruce is just the disguise that hides him. While Batman is fighting crime and avenging justice, Bruce is the cocky and fun playboy millionaire that no one would suspect is Batman. Christian Bale was great as both. I still think Michael Keaton is my favorite Bruce though because he just has a `coolness' about him, but Christian was definitely great also and is my favorite Batman, even with his kind of weird Batman voice. Christian Bale isn't the only awesomeness going on here in this movie either. Gary Oldman plays, perfectly, Detective Gordon. Even down to the look of him in the graphic novel `Batman: Year One'. Oldman usually plays bigger roles, but man I'm glad he played Gordon. Just perfect. And then you have Alfred, the butler/second father, played, well, once again, perfectly, by Michael Caine. Morgan Freeman is even here, playing Lucius Fox, a man that works in the `basement' of Wayne Tower inventing and making up some insane items for the military, that Batman eventually uses for himself. Think of `Q' for James Bond. Crooked smile Katie Holmes plays Bruce's best friend and love interest Rachel Dawes. She's also a woman that holds her own and tries to bring down the bad guys through the justice system. She's ok I guess. Some of the extras on the 2 disc were great. I knew Bale just got done making `The Machinist', and was Ethiopian like skinny for that movie, so I was amazed he got huge again for Batman in such a quick time. I mean it's hard for me to just lose 10 pounds. What I didn't know what that when Christopher Nolan told him to get as big as he could, Bale did just that. He got fat. So fat that Chris was baffled and thought he'd never lose the weight in time. Some of the crew would tell Bale "What are we making again? Fatman?" So Bale had cut up the weight he regained. Crazy! Watching the scenes where he is learning to fight, you can tell he was still losing some weight, but he's still thick. They really didn't think the suit was going to fit him...hehe. Also the scene where Bruce and Henri Ducard are fighting on the frozen lake by the glacier was crazy. They had to rush that scene with almost no preparation. After they were done filming, the next day the lake became unfrozen and was a lake again. Talk about lucky. There was a lot of good stuff on those discs that will keep you busy for awhile. When you see what they did to make Gotham City, you'll be blown away. Talk about some work. Even though the movie does have some hokey scenes in it, such as the rooftop Batmobile scenes, it really doesn't hurt the movie at all for me. Great movie. Plain and simple. I thought nothing could beat it, but I was wrong when Dark Knight came out. So make sure you watch this first before Dark Knight...heh. Own it. Own it. Own it. And make sure you own it in HD-DVD or Blu-Ray. P.S. - Some of you know I'm reviewing my DVDs in order because it gives me something to do. How did I go from Be Cool to Batman!?!? Bad Matt...bad. P.P.S - I'm a top 1000 reviewer now! YAY!

## Frequently Bought Together

- Batman Begins (4K Ultra HD) [4K UHD]
- The Dark Knight (4K Ultra HD) [4K UHD]
- The Dark Knight Rises (4K Ultra HD)

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