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title: "Beyond Good And Evil (Deluxe Hardbound Edition) (Fingerprint! Classics)"
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# 4.5/5 from 2,983 reviews Deluxe hardbound edition Top 40 in Philosophy of Theology Beyond Good And Evil (Deluxe Hardbound Edition) (Fingerprint! Classics)

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## Summary

> 📖 Unlock the mind-bending wisdom that only true visionaries dare to explore!

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## Key Features

- • **Highly Acclaimed & Trusted:** Thousands of readers rate it 4.5 stars for life-changing insights.
- • **Collector’s Edition Elegance:** Premium hardbound design elevates your bookshelf aesthetic.
- • **Vocabulary & Thought Expansion:** Experience Nietzsche’s powerful language that sharpens your mind.
- • **Timeless Intellectual Masterpiece:** Nietzsche’s profound philosophy challenges and expands your worldview.
- • **Philosophy’s Provocative Classic:** Join a community of thinkers who dare to question beyond good and evil.

## Overview

Beyond Good And Evil (Deluxe Hardbound Edition) is a premium, collector-worthy print of Nietzsche’s seminal philosophical work. Ranked #38 in Philosophy of Theology and boasting a 4.5-star rating from nearly 3,000 readers, this edition combines intellectual depth with elegant design, perfect for professionals seeking to elevate both their mind and their library.

## Description

Beyond Good And Evil (Deluxe Hardbound Edition) (Fingerprint! Classics) : Friedrich Nietzsche: desertcart.co.uk: Books

Review: Michael Tanner, you have overcome yourself! - What I want to draw attention to in my brief review is to this particular edition of Beyond Good and Evil (BGE). R J Hollingdale did the translation work, so top marks there, even though I tend to favour certain more recent translators simply as matter of weight (see my review of On the Genealogy of Morals translation by Douglas Smith). This edition contains two extra goodies worth a mention. The first is an introduction by Michael Tanner. Tanner and I have form (he said, flattering himself). I reviewed his book on Nietzsche and flung it a mere two stars. That book was about a hundred pages long; this introduction is twenty. It seems that less is more after all. Tanner not only provides a workable context for a reading of BGE, he uses it as a launch pad to fire off illuminating flashes in the direction of Nietzsche's thought as a whole. Such as? "Nietzsche regards all of us, insofar as we subscribe to a system of values, as being philosophers." (p.11) "So, in Nietzsche's view, we inevitably do create values, whether we want to or not...Value is not something that we discover, it is something that we invent...Values are dependent on one kind of fact - the nature of those doing the valuing." (p.20) Tanner also makes insightful comments on Nietzsche's "much misunderstood" doctrines of persprctivism (p. 19) and particularly the Superman (ps. 17, 21), whose task it is to overcome decadence by turning every event in into an affirmation, carrying "self-sufficiency to a degree which virtually meant total exile from society." He is "self-important in the best sense of that term" and delights in his "sense of being different from others". At last, some meat on the bones of steel! Of course, Tanner being Tanner has to inject a few choice opines into the mix. Taking on the mantel of an average reader (?) Tanner states that Nietzsche's questioning of truth's value "seems provokingly silly" and that his account of master morality might read as "a repulsive general view of things". However: "It becomes clear that Nietzsche is trying to formulate the conditions under which we may hope to recover a conception of greatness, above all of that kind of greatness which we associate with creativity, at least before that term was so debased by pop psychologists and educational theorists." (p. 22) As much as I would love to digress into a defence of creativity techniques, I will instead point to the only real issue I have with Tanner's Nietzsche, one that he seems to share with the rest of the Nietzsche scholars. He quotes BGE: 209 where Nietzsche mentions Napoleon and Goethe as historical exemplars of master morality and enemies of the "legalization of life". Then, forgetting Napoleon, Tanner asserts that for Nietzsche art was the "the peak human activity", the field of greatest risk and importance, "the realm in which man can celebrate existence most completely" (25). Really? So why does Nietzsche refer to Julius Creaser as often as Leonardo Di Vinci (BGE: 200)? How can he dare mention Cesare Borgia at all (BGE: 197)? Or why does he, in the same chapter, decry "feminine" traits (BGE: 202) along with "socialists dolts and blockheads" (BGE: 203). Why does he equate the aristocratic spirit with the military spirit (BGE: 239)? Are we to take his book-long polemic against pity sentimentality (e.g. BGE: 293), and for cruelty and wildness as anything other than seriously meant? Speaking of Cesare Borgia, I also need to mention the excellent commentary at the back of this Penguin edition. Some of the comments are fairly basic in terms of philosophical definitions and explanations. However, what impressed me is that in several places, where Nietzsche mentioned something requiring reference in the text, the commentary as gathered together other references to the same subject in his other works. For instance, we have Nietzsche's main comments on Epicurus (p. 226), anti-teleology (p. 277), the French Revolution (p. 288), cruelty and 'de capo' (p. 229), Jewry and Borgia (p.231), Napoleon and fear (p. 232), Homer (p. 233), Wagner (p. 234), Jesus (p. 236), and laughter (p. 237). May I conclude by suggesting you read Nietzsche's comments in 56 and 58 (plus maxim 94) where he equates life-affirmation with the concepts of play and game? Relevance to review? Not much really. Only this. Don't they apply to all areas of life, not just art? And not excluding war? Counter-cultural, yes. But 'evil' for that? Or should that be 'bad'? PS BGE should be the second work of Nietzsche's a noob should tackle after GOM IMHO.
Review: Amazing Book - Great and dagerous book is misread . This book as opened my mind on on how I see myself. I reccommend the book

## Technical Specifications

| Specification | Value |
|---------------|-------|
| Best Sellers Rank | 14,696 in Books ( See Top 100 in Books ) 5 in Philosophy of Theology 159 in Philosophy (Books) |
| Customer reviews | 4.5 4.5 out of 5 stars (3,990) |
| Dimensions  | 21.59 x 2.29 x 13.97 cm |
| ISBN-10  | 9358562277 |
| ISBN-13  | 978-9358562279 |
| Item weight  | 318 g |
| Language  | English |
| Print length  | 200 pages |
| Publication date  | 23 Aug. 2023 |
| Publisher  | Fingerprint! Publishing |

## Images

![Beyond Good And Evil (Deluxe Hardbound Edition) (Fingerprint! Classics) - Image 1](https://m.media-amazon.com/images/I/61qF0BNMNcL.jpg)

## Customer Reviews

### ⭐⭐⭐⭐⭐ Michael Tanner, you have overcome yourself!
*by A***D on 13 April 2012*

What I want to draw attention to in my brief review is to this particular edition of Beyond Good and Evil (BGE). R J Hollingdale did the translation work, so top marks there, even though I tend to favour certain more recent translators simply as matter of weight (see my review of On the Genealogy of Morals translation by Douglas Smith). This edition contains two extra goodies worth a mention. The first is an introduction by Michael Tanner. Tanner and I have form (he said, flattering himself). I reviewed his book on Nietzsche and flung it a mere two stars. That book was about a hundred pages long; this introduction is twenty. It seems that less is more after all. Tanner not only provides a workable context for a reading of BGE, he uses it as a launch pad to fire off illuminating flashes in the direction of Nietzsche's thought as a whole. Such as? "Nietzsche regards all of us, insofar as we subscribe to a system of values, as being philosophers." (p.11) "So, in Nietzsche's view, we inevitably do create values, whether we want to or not...Value is not something that we discover, it is something that we invent...Values are dependent on one kind of fact - the nature of those doing the valuing." (p.20) Tanner also makes insightful comments on Nietzsche's "much misunderstood" doctrines of persprctivism (p. 19) and particularly the Superman (ps. 17, 21), whose task it is to overcome decadence by turning every event in into an affirmation, carrying "self-sufficiency to a degree which virtually meant total exile from society." He is "self-important in the best sense of that term" and delights in his "sense of being different from others". At last, some meat on the bones of steel! Of course, Tanner being Tanner has to inject a few choice opines into the mix. Taking on the mantel of an average reader (?) Tanner states that Nietzsche's questioning of truth's value "seems provokingly silly" and that his account of master morality might read as "a repulsive general view of things". However: "It becomes clear that Nietzsche is trying to formulate the conditions under which we may hope to recover a conception of greatness, above all of that kind of greatness which we associate with creativity, at least before that term was so debased by pop psychologists and educational theorists." (p. 22) As much as I would love to digress into a defence of creativity techniques, I will instead point to the only real issue I have with Tanner's Nietzsche, one that he seems to share with the rest of the Nietzsche scholars. He quotes BGE: 209 where Nietzsche mentions Napoleon and Goethe as historical exemplars of master morality and enemies of the "legalization of life". Then, forgetting Napoleon, Tanner asserts that for Nietzsche art was the "the peak human activity", the field of greatest risk and importance, "the realm in which man can celebrate existence most completely" (25). Really? So why does Nietzsche refer to Julius Creaser as often as Leonardo Di Vinci (BGE: 200)? How can he dare mention Cesare Borgia at all (BGE: 197)? Or why does he, in the same chapter, decry "feminine" traits (BGE: 202) along with "socialists dolts and blockheads" (BGE: 203). Why does he equate the aristocratic spirit with the military spirit (BGE: 239)? Are we to take his book-long polemic against pity sentimentality (e.g. BGE: 293), and for cruelty and wildness as anything other than seriously meant? Speaking of Cesare Borgia, I also need to mention the excellent commentary at the back of this Penguin edition. Some of the comments are fairly basic in terms of philosophical definitions and explanations. However, what impressed me is that in several places, where Nietzsche mentioned something requiring reference in the text, the commentary as gathered together other references to the same subject in his other works. For instance, we have Nietzsche's main comments on Epicurus (p. 226), anti-teleology (p. 277), the French Revolution (p. 288), cruelty and 'de capo' (p. 229), Jewry and Borgia (p.231), Napoleon and fear (p. 232), Homer (p. 233), Wagner (p. 234), Jesus (p. 236), and laughter (p. 237). May I conclude by suggesting you read Nietzsche's comments in 56 and 58 (plus maxim 94) where he equates life-affirmation with the concepts of play and game? Relevance to review? Not much really. Only this. Don't they apply to all areas of life, not just art? And not excluding war? Counter-cultural, yes. But 'evil' for that? Or should that be 'bad'? PS BGE should be the second work of Nietzsche's a noob should tackle after GOM IMHO.

### ⭐⭐⭐⭐⭐ Amazing Book
*by K***R on 4 January 2026*

Great and dagerous book is misread . This book as opened my mind on on how I see myself. I reccommend the book

### ⭐⭐⭐⭐ Entrancing, enjoyable and expansive, but its teachings could turn you into a prick.
*by W***H on 19 May 2016*

This is a bit more of what I was expecting from a philosophy novel. Aware of philosophy, broadly speaking, I never investigated it further until just recently, an adverse effect from reading ‘The Red Book’ by C.G Jung. I expected the books themselves to be smaller, more interesting textbooks and this is exactly what ‘Beyond Good and Evil’ was, but with a great deal of energy and wit included throughout it. I had introduced myself to Nietzsche through ‘Thus Spoke Zarathustra’ but as I bought all three books (the third was ‘Twilight of the Idols and the Anti-Christ’) at once I figured I would read them in linear order. Having not been blown away by Zarathustra, though interested in what Nietzsche was trying to say in it (apparently the subsequent books were elaborations on Zarathustra) I had to persuade myself to read this one, and I was pleased I did. This book is far more clear in its ideas than Zarathustra was (or maybe I’m just thick and it was slightly beyond me, but anyway…) and the tone of it was almost as if you were hearing someone ranting in a pub, but occasionally making good points that do in fact make you think intently about what’s being said. (Though Nietzsche blamed alcohol almost as much as Christianity for the suppression of the ‘Superman’, so he ever being in a pub to rant after a few pints is highly unlikely). This is the more popular one of his books, as far as I’m aware, as my friends who have read Nietzsche have all read this one and it changed their view of life. Unfortunately it didn’t change my life... yet, but I can see me getting angry in a few years with the mundanity of work and referring back to it for guidance if things don’t go my way between now and then. It has sowed a seed that makes me question why does it matter in the end? Which is quite a worrying concept when you think about it. Also it’s quite anti-socialist and with its anger directed at Judaism and Christianity for creating a religion and race of slaves, I can see how The Nazi’s took aspects of it to further their cause and persecute the different groups already mentioned, though technically they were Christians, I guess. This could be deemed as a dangerous book, if you are an angry person filled with prejudice and intolerance it might indeed fuel your desire to do what you want, regardless of who it hurts however, if you’re an open-minded person anyway, it can be a liberation from the mundanity of working to live day in, day out, then feeling ashamed when we do, say or think something ‘bad’ which has been ingrained in our consciences since birth, taught in our childhood, continued through school and then beat in again through work. We are slaves to what we think we should do, rather than slaves to what we want to do. Perhaps Bob Proctor and other lifestyle Gurus over the years have taken some hints here with their paradigm shifts. Though I’m sure Bob Proctor believes firmly in a God and this book questions that belief. To be clear, not so much the belief of a God, as apparently ‘God is Dead and We Killed him’ which suggests there was one, but the translation of Morality through scripture and religious teachings. Either way this book had more urgency than Zarathustra, was more direct with its questions and answers, or lack there-of and had a fire and passion throughout it that was quite entrancing, yet informative. It has lasted with me and has made me think harder about why we should accept these restrictions upon our very being- and with this mention of being- it has expanded my philosophical outlook to Heidegger and Sartre’s works, which can only be a good thing, right? An easy four stars, four and a half if I could give it.

## Frequently Bought Together

- Beyond Good And Evil (Fingerprint! Classics)
- Meditations
- The Republic

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