---
product_id: 94393147
title: "Studio Albums 1973-1983"
price: "€ 98.97"
currency: EUR
in_stock: true
reviews_count: 8
url: https://www.desertcart.pt/products/94393147-studio-albums-1973-1983
store_origin: PT
region: Portugal
---

# Studio Albums 1973-1983

**Price:** € 98.97
**Availability:** ✅ In Stock

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- **What is this?** Studio Albums 1973-1983
- **How much does it cost?** € 98.97 with free shipping
- **Is it available?** Yes, in stock and ready to ship
- **Where can I buy it?** [www.desertcart.pt](https://www.desertcart.pt/products/94393147-studio-albums-1973-1983)

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## Description

Robin Trower had an impressive run of albums between 1973 to 1983 for Chrysalis Records. The ex-Procol Harum guitarist released his debut solo album, Twice Removed From Yesterday, in 1973. This kicked off a string of 10 albums over the course of the next ten years including collaborations with Jack Bruce (Cream). Collected here for the first time these albums are a reminder of Robin's amazing guitar style and songwriting ability. 10CD's presented in card sleeves housed in a clamshell box.

Review: A wonderful body of work - This set was released the same day as At The BBC 1973-1975 two discs set. For a Robin Trower fan, it was a good day indeed. Anyone who has enjoyed Robins’ music, these are both essential additions to your music library. As for this particular box set, the remastering is exceptional and I feel well worth the investment. The fact that there are no bonus tracks and the first “Live” album is not included should not be a deal breaker. Each record stands on its own as was intended on its original release. First off I would like to mention that James Dewar had one of the most distinctive voices in Blues, Rock or any other genre of music. He was essential to Robins’ success and should never be overlooked. His tone and delivery was as important to the music as Trowers’ guitar virtuosity. He is sorely missed. Robin Trower has always been compared to Hendrix, which I can understand to a point, as they both share a similar tone in their playing, but they approached the guitar in completely different ways. Yes they both play Fender Stratocasters as well as some of the same effects, but when you listen, it’s clear they are completely different players. Robin admits to being influenced by Jimi, but so has everyone else who plays guitar. Robin brings a more direct technical experience while Hendrix was more expansive. To compare them is pointless. For some reason I decided to listen to these albums backwards, as I had never heard Back It Up. For some reason I missed it when it first came out. From there I just worked my way back to Twice Removed From Yesterday. I was really impressed with that last record with James Dewar. Those guys really had a special connection. Great album. Working with Jack Bruce seemed like a logical choice for Trower, and their first album together really cooks. BLT is just a kick ass rock album from start to finish. Unfortunately their second outing is the most spotty record included here. Truce just never comes together well, and lacks any coherent tone. By far the weakest record here, with a few keepers. Victims of the Fury is one of my favorite Trower records. From the first song to the last, it just works as a whole without any filler. Caravan to Midnight on the other hand seems to suffer from a sequencing problem. The first song “My Love”(My Burning Love) just doesn’t belong on the record. If you listen to this album starting with track two, the whole album makes complete sense. Perfect from start to finish, yet of all Robins’ records this is the one he chose the wrong song to open with. Try it and I think you’ll agree. In City Dreams is another great record with a lot of continuity to it. It’s clear that Robin was saying something with confidence. It’s another example of sequencing that really works. Long Misty Days is a more fragmented record. Certainly not without some great songs but as a whole it lacks some continuity. His first three albums work so well together as if they were all conceived as one three record set. They are each masterful works alone, but they will always be connected for me. All three are masterworks. Very few artists release a sophomore record that becomes a true CLASSIC RECORD, but very few people would disagree with the fact that Bridge of Sighs has to be one of the greatest albums of all time. In closing, I have to say that this set of records should be included in every serious music collection. Great music and excellent remastering all contained in a clamshell box. This ten record set takes up the same amount of space as three jewel cases, so you can make room for more music in your music rack. Highly recommend.
Review: Great CDs great sound - This is a great package of Robin Trower’s works. Excellent I can’t stop playing each album. I had a few of the albums already but six of the 10 I didn’t have and they are wonderful great great great.

## Images

![Studio Albums 1973-1983 - Image 1](https://m.media-amazon.com/images/I/81m-T3a7I0L.jpg)

## Customer Reviews

### ⭐⭐⭐⭐⭐ A wonderful body of work
*by S***G on March 3, 2019*

This set was released the same day as At The BBC 1973-1975 two discs set. For a Robin Trower fan, it was a good day indeed. Anyone who has enjoyed Robins’ music, these are both essential additions to your music library. As for this particular box set, the remastering is exceptional and I feel well worth the investment. The fact that there are no bonus tracks and the first “Live” album is not included should not be a deal breaker. Each record stands on its own as was intended on its original release. First off I would like to mention that James Dewar had one of the most distinctive voices in Blues, Rock or any other genre of music. He was essential to Robins’ success and should never be overlooked. His tone and delivery was as important to the music as Trowers’ guitar virtuosity. He is sorely missed. Robin Trower has always been compared to Hendrix, which I can understand to a point, as they both share a similar tone in their playing, but they approached the guitar in completely different ways. Yes they both play Fender Stratocasters as well as some of the same effects, but when you listen, it’s clear they are completely different players. Robin admits to being influenced by Jimi, but so has everyone else who plays guitar. Robin brings a more direct technical experience while Hendrix was more expansive. To compare them is pointless. For some reason I decided to listen to these albums backwards, as I had never heard Back It Up. For some reason I missed it when it first came out. From there I just worked my way back to Twice Removed From Yesterday. I was really impressed with that last record with James Dewar. Those guys really had a special connection. Great album. Working with Jack Bruce seemed like a logical choice for Trower, and their first album together really cooks. BLT is just a kick ass rock album from start to finish. Unfortunately their second outing is the most spotty record included here. Truce just never comes together well, and lacks any coherent tone. By far the weakest record here, with a few keepers. Victims of the Fury is one of my favorite Trower records. From the first song to the last, it just works as a whole without any filler. Caravan to Midnight on the other hand seems to suffer from a sequencing problem. The first song “My Love”(My Burning Love) just doesn’t belong on the record. If you listen to this album starting with track two, the whole album makes complete sense. Perfect from start to finish, yet of all Robins’ records this is the one he chose the wrong song to open with. Try it and I think you’ll agree. In City Dreams is another great record with a lot of continuity to it. It’s clear that Robin was saying something with confidence. It’s another example of sequencing that really works. Long Misty Days is a more fragmented record. Certainly not without some great songs but as a whole it lacks some continuity. His first three albums work so well together as if they were all conceived as one three record set. They are each masterful works alone, but they will always be connected for me. All three are masterworks. Very few artists release a sophomore record that becomes a true CLASSIC RECORD, but very few people would disagree with the fact that Bridge of Sighs has to be one of the greatest albums of all time. In closing, I have to say that this set of records should be included in every serious music collection. Great music and excellent remastering all contained in a clamshell box. This ten record set takes up the same amount of space as three jewel cases, so you can make room for more music in your music rack. Highly recommend.

### ⭐⭐⭐⭐⭐ Great CDs great sound
*by G***D on February 11, 2026*

This is a great package of Robin Trower’s works. Excellent I can’t stop playing each album. I had a few of the albums already but six of the 10 I didn’t have and they are wonderful great great great.

### ⭐⭐⭐⭐⭐ All the Early Years
*by J***Y on December 23, 2025*

This a must for any Robin Trower fan all the early albums most of they are some of his best work. A cheap way to enjoy a truly great guitar player with a great band. with vocals from James Dewar great soul infused blues voice. 10 cds no liner notes.Highly recomend

## Frequently Bought Together

- Studio Albums 1973-1983
- At The BBC 1973-1975
- Joyful Sky

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*Product available on Desertcart Portugal*
*Store origin: PT*
*Last updated: 2026-04-25*