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B**N
Difficult to read in English
The problem is the translation. Not knowing Portuguese though, I can only assume that Caetano writes eloquently in his native language. I base this on having watched the DVD Outros Doces Barbaros, the 25th reunion of Doces Barbaros (w/ Gil, Gal, and Bethania). Here, based on the English subtitles, he articulates his ideas very clearly.BUT, this book is very tedious to read: long complex sentences that I suspect are a result of literal equivalencies i.e. word for word--instead of conceptual ones. I had to start the book 3 times before I could finally finish it. I am a musician who is a great admirer of Brazilian pop music and this book is a great resource and reference tool. If you can wade through the verbiage, it is a very rewarding read. All in all, kudos to Caetano. Just next time, he should hire a better translator.
A**.
An unusual and fascinating memoir.
If one were to compare "Tropical Truth" with critical writings on Tropicália, it would seem unusual that Caetano Veloso writes more as an observer rather than a central figure in the development of an artistic movement that impacted contemporary Brazilian music. Veloso approaches the subject with remarkable erudition, surprising detachment, and subtle humor; and the result is as much a historical record as it is a meditation on the people, places and events of the time.My only complaint would be regarding the editing. Veloso writes using long sentences--unwittingly imitating Saramago, perhaps?--and the translation could have used a bit more polish. Otherwise, it is an excellent work from an equally excellent artist.
D**L
Brazil's Musical Rebels
Comparable to Ruy Castro's frank and detailed journalistic history of the Bossa Nova, a musical movement begun in the 1950s, this autobiographical account by Caetano Veloso, co-founder of the Tropicália protest movement of the 1960s, continues the story of Brazilian music. Despite the lack of footnotes, this book is scholarly and is filled with events and persons and cultural references that would please the musicologist and historian but not the general reader. Translations always have the problem of disappointing a reader versed in the original language, but I had no problem with sentence structure and wording, even if the idioms and metaphors are different. The period in world history in which this book is set is important, for the cultural revolutions and social disruptions occurring in the United States, Paris, Prague, and China were happening to an extent in Brazil. We hippies and political radicals found ourselves in jail and so did Caetano and his colleague Gilberto Gil; indeed, they were forced into exile afterwards, with London becoming temporary home. This book describes the rise of rebellion, the musical mainstream, and the 'sins' that lead to reprisal by the military government. Throughout, I am surprised how often Caetano regards himself mediocre in talent as a musician and songwriter (compared to, for instance, João Gilberto, his pal Gil, and his sister Maria Bethânia). In short, I admit to be a special case, and, for me, the book was a worthwhile read that provided a deeper appreciation of the music and its development. Others may find the book less satisfying. Consider the caveats and your own background and interests before obtaining this book.
C**N
Boring read
I stopped read the book in the middle do to the fact that the author kept introducing new people and made it confusing to understand.
R**O
best if you know brazil well
I read this book in portuguese, when it first came out in Brazil, and i absolutely loved it. This book is not only about Caetano Veloso and his music. Caetano Veloso has a very unique way to see people and to write about them, and in his life he had the privilege to meet some of the most important people in Brazil's cultural scene. In his book he tells us many precious stories about Chico Buarque de Hollanda, Gilberto Gil, Nara Leao, Paulinho da Viola and so many others. Some important moments of his life and also of Brazilian history are also told from a very personal point of view: stories of Caetano and Gil's prison and exile during brazilian dictatorship were specially moving to me. And then there are some fabulous stories about the beginnings of Caetano's carreer, how it all started. Caetano has such an insteresting point of view about everything, it's awesome to be able to get inside his mind, and that's how i felt reading his book. I actually ended up reading it twice. I think though, that this book can be better appreciated by people who really know brazilian music and culture well. Another reviewer mentioned that Caetano talks about lots of "obscure artists", but i don't think this is a true statement. He talks about very important people in brazilian culture, including writers, film directors and musicians. The people he mentions are very known in Brazil,and he also talks about important european and american artists. The people he mentions in his book are not obscure at all. Probably, if you know who he is talking about it makes for a much better reading experience. So, if you have a curious mind and are interested in art, music, and Brazil, this is certainly a wonderful book to read. And, like me, you may want to read it more than once...
L**R
A must for anyone interested in the Brazilian culture
Caetano Veloso is one of the most important Brazilian singers and songwriters of all time. His passionate account of his life and music making, especially during the military dictatorship, is a must for anyone interested in Brazilian music, Brazilian culture and related topics. Although he may be a little verbose at times, it just reflects the way he speaks (as seen in interviews), so if it may get a little too long in certain passages, on the other hand it establishes a closeness to the reader, as if he was telling you a story sitting beside you. All in all, I definitely recommend this book.
S**A
A beautifully written account of music and revolution in late twentieth century Brazil
Beautifully written biographical - ethnomusicological account of music and revolution in late twentieth century Brazil. Very accessible and engaging, the book is an interesting and informative read suitable for aficionados, musicians, musicologists and music lovers; for anyone with interest In Brazil and cultural studies.
A**R
Four Stars
haven't finished reading yet but very interesting subject.
S**N
Five Stars
Great to have this. It was a good price too.
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