Deliver to Portugal
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From School Library Journal Gr 9-11-The premise of this book is that a magical fish impregnates a young woman, resulting in the birth of a half human/half sea creature. These fish, if eaten, can cure all kinds of diseases. Teeth rescues the fish he considers to be his brothers from fishermen's nets. When he is caught, he is beaten again and again, but always manages to escape. Rudy's family has moved to the island seeking a cure for his younger brother's cystic fibrosis. Rudy is so alone, restless, and bored that meeting Teeth results in an instant curiosity and connection. Diana, Teeth's sister, is lonely, too, and initiates contact with Rudy, apparently the only other teen on the island. This is a story of Rudy's path to identity and making choices in complicated circumstances. He loves his brother and is grateful when the fish help stem the disease but also understands Teeth's desire to rescue the fish from the nets. To allow Teeth to continue his mission will spell sickness for the islanders who have come to rely on the healing ability of the fish; to allow the fishermen to slowly beat Teeth to death is clearly wrong. In addition to these dilemmas, Rudy wonders about going to college and about how his family has changed since being on the island. This is an unusual story, narrated by Rudy, but his frequent use of obscenities seems unnecessary. In the end he finds a way to save Teeth, help his brother, and accept his place in life.-Joanne K. Cecere, Monroe-Woodbury High School, Central Valley, NYα(c) Copyright 2013. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted. Read more Review "[R]ealistic, even gritty, drama, fueled by Moskowitz's brand of stream-of-consciousness wonder, tumbling emotion, and dark undertones.""[A]n ungothic gothic, a harshly unmagical work of magical realism...no matter what readers are expecting, they're certain to find surprises. Between the provocative questions, the warm and weird friendship, and the blurring of the edges of reality, readers will be hooked.""Provocative, unsettling, complex and multilayered."--Kirkus Reviews, starred review Read more About the Author Hannah Moskowitz is the award-winning author of the young adult novels Break; Invincible Summer; Gone, Gone, Gone; and Teeth; as well as the middle grade novels Zombie Tag and Marco Impossible. She lives in New York City. Learn more at HannahMoskowitz.com. Read more Excerpt. © Reprinted by permission. All rights reserved. one AT NIGHT THE OCEAN IS SO LOUD AND SO CLOSE THAT I LIE awake, sure it’s going to beat against the house’s supports until we all crumble onto the rocks and break into pieces. Our house is creaky, gray, weather stained. It’s probably held a dozen desperate families who found their cure and left before we’d even heard about this island. We are a groan away from a watery death, and we’ll all drown without even waking up, because we’re so used to sleeping through unrelenting noise. Sometimes I draw. Usually I keep as still as I can. I worry any movement from me will push us over the edge. I don’t even want to blink. I feel the crashing building up. I always do. I lie in bed with my eyes open and focus on a peak in my uneven ceiling and pretend I know how to meditate. You are not moving. You are not drowning. It’s just rain. It’s your imagination. Go to sleep. That pounding noise is pavement under your feet, is sex, is your mother’s hands on your brother’s chest, is something that is not water. It’s not working, not tonight. I sit up and grab my pad and pen to sketch myself, standing. Dry. Sometimes the waves hit the shore so hard that I can’t even hear the screaming. But usually I can. Tonight I can, and it hits me too hard for me to draw. I need to learn how to draw a scream. I close my eyes and listen. I always do this; I listen like I am trying to desensitize myself, like if I just let the screams fill my ears long enough, I will get bored and I will forget and I will go to sleep. It doesn’t work. I need to calm down. It’s just the wind. Not water. Not anyone. Go to sleep. Some nights the screams are louder than others. Some nights they’re impossible to explain away, like my mom tries, as really just the wind passing through the cliffs. “Like in an old novel,” she says. “It’s romantic.” Her room doesn’t face the ocean. Fiona, down on the south end of the island, says it’s the ghost, but Fiona’s bag-of-bats crazy and just because we’re figuring out some magic is real doesn’t mean I’m allowed to skip straight to ghost in an effort to make my life either more simple or more exciting. God, what the fuck do I even want? I should figure it out and then wish for it and see what happens. Who the hell knows? Magic island, after all. Magic fish, anyway. They heal. That’s the real story, that’s the story everyone knows, but it’s hardly the only one that darts around. There are creatures in the water no one’s ever seen except out of the corner of his eyes. The big house is haunted. Maybe we’re all haunted. I only take the legends seriously at night. The house is rocking, and the stories are the only thing to keep me company. Stories, me, and ocean, and however the hell many magic fish, while my family sleeps downstairs and my real life sleeps a thousand miles away. At home I never would have believed this shit. I used to be a reasonable person. But now we’re living on this island that is so small and isolated that it really feels like it’s another world, with rules like none I learned growing up. We came here from middle America. We stepped into a fairy tale. And my brother is better but isn’t well, so color me increasingly despondent, magic fish. Out in the ocean the shrieks continue, as high and hollow as whistles. I get up and press my face against the window. My room is the highest part of our kneeling house. The panes on my windows are thick and uneven. Probably the windows were made by hand. Even if it weren’t so dark, I’d still hardly be able to see. Everything’s distorted like I’m looking through glasses that don’t belong to me. But I can just make out the waves, grabbing on to the shore with foamy fingers and sliding back into the surf. I squint long enough and make out white peaks in the dark water. “Go to sleep,” I say. I close my eyes and listen to the screams. I pretend it’s my brother, my little brother, who has cystic fibrosis and this fucked-up chest and can’t scream at all. Pretend this island has done the magic it was supposed to do, and he’s okay. And we can go home.It’s just that at home there’s so much green—trees and grass and Dad’s rosebushes—and the water isn’t ocean, it’s what comes from the garden hose and the sprinklers and the fire hydrant when me and my friends pry it open. It’s the sweat dripping down our faces. Home. We’d smoke cigarettes in the back of Abe’s van, still soaked from the hydrant, and brag about the stunts he’d pulled. I’d lie to them all and tell them stories about the time I was arrested or my dad was arrested or, hell, that my baby brother was arrested. Back when he was just a two-year-old with a bad cough, toddling down the steps to chase us. Home, before we had any idea how shitty this could get. When lung transplants and miracle cures were for other people. Before we were desperate enough to believe, before we were a family alone in a dark room with everything crashing. You’ll cling to anything. I fall asleep imagining I’m on a plane home. There isn’t even an airport here. Read more
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