Willy Wonka & the Chocolate Factory (Full Screen Special Edition)
K**4
Still a favorite
Showed this to my grandson who is 3 for the 1st time and he loves it. We watched over and over til we ran out of rental time.
D**.
Great movie
We just got done reading the book and wanted to watch the movie.
K**E
Great family movie night
This is always a great movie, but it was the first time my child watched it. And I love watching the joy on his face. Always a good time watching.
C**I
Fantastic
What a great movie
C**D
Family loved it
Still as good as when I was a kid!
M**C
Cute
Everyone loves this movie
L**6
Overdue review by an impartial viewer
Having seen both versions several times I have to say I like both. Yes there are stark differences in the main character Willy Wonka and there were some other minor differences in the characters of the children and their parents. Actually, there are a great many differences between Tim Burton's version and the original Mel Stuart version. Mel Stuart's version was more like a musical, highlighted with several musical interludes presented by Gene Wilder and his portrayal of Willie Wonka and one other musical interlude given by the character Varuca Salt - the "I want it now" song. Both versions had Oompah-Loompah songs - after all, it wouldn't be the same without the Oompah Loompah's musical mantras touting the social problems of misbehaved, spoiled children. I did, however, prefer the original Oompah-Loompah performances. The lead up story, basically Charlie's story, for the most part is unaltered with Burton's version deviating slightly to include Charlie's father, a man who works at a toothpaste factory, and his mother is non-working to stay at home and take care of the ramshackle hut of a house and Charlie's grandparents. In the original, we do not know of Charlie's father and his mother works at a laundry, washing clothes. Tim Burton's remake also does not include "The Candy Man" song or Charlie's theme "Cheer up Charlie". There is one other song when Charlie's grandfather get's out of bed for the first time in twenty years. It's not in Burton's version either. In contrast, the only "musical" interlude in Burton's version aside from the Oompah-Loompah songs was a cheesy "Willie Wonka" mechanical doll performance at the entry to the Wonka Factory. This performance while starting out innocently enough soon transcends in to a scene more apropos for a "Chucky" film - hideous and revolting!Over all I give both versions equal ratings. In the following I discuss in general the differences I noticed and meant the most to me. If you for some odd reason have not seen either movie and wish not to know the details then please read no further. They have certainly been on TV several times.The parallels:Augustus Gloop, the gluttonous brat: No differences between the two versions.Violet Bueregard, the gum chewing brat: In both versions she takes the gum from Wonka and, at the behest of Wonka not to, begins to chew the gum. The 2 movies do deviate at the point only slightly where as Wilder's Wonka does, in a more nonchalant manner, say "stop, don't", Depp's Wonka simply bemoans where the process goes wrong. In both versions, Voilet turns violet and becomes very, very round and plump, like a blueberry, only in Burton's version, more so. The end is the same- to be rushed off to the blueberry squeezing room!Varuca Salt, the spoiled rotten brat who gets anything she wants: All through the movie (both versions) she demands her father to buy her this or get her that. The difference here is that in the original she sees giant geese that lay giant golden eggs - for Easter, of course. In Burton's version, and as I understand from the original book, there are squirrels - who test and shell walnuts. Of course, Varuca demands her father to buy her a squirrel, or in the case of the original, a goose. In either version she attempts to steal her prize and ends up going down the garbage chute to the "incinerator". Which we find out isn't working that day - whew, thank goodness for that ;).Mike Teevee, the brat with a television addiction: The same annoying "know it all" brat. The difference being that in the original he was addicted to westerns and in Burton's version he is a video-game addict. I liked the way in which both Wonka characters dealt with Mike through the course of the movie. The end for Mike was the same in both versions.The major differences (aside from the musical score and the characterization of the Oompa- Loompas);Willy Wonka: The eccentric chocolate mogul. There are stark differences between Mel Stuart's version and Tim Burton's version.Mel Stuart's Version of Wonka portrayed by Gene Wilder is a light hearted, whimsical and somewhat eccentric man where as Tim Burton's version portrayed by Johnnie Depp is a considerably darker character who has deep emotional evulsions toward parents - linked to an apparently overbearing father who was a dentist, as we are repeatedly shown in no less than 3 "flashback" scenes. Depp's Wonka was definitely eccentric. His portrayal, however, stopped well short of whimsical and was in no way light hearted, but rather more stogy with a slight after taste of stale comedy.Then finally to Charlie Bucket: The poor and destitute "good" child. Here, the story isn't quite the same, either. The differences are many; I'll touch on the most notable.In the original, there is no father figure. Charlie is closest to his grandfather, who hadn't stepped foot out of bed in 20 years. In Burton's version, Charlie has a father figure who had just been laid-off at the "toothpaste" factory, his job being replaced by a robot. In both versions, however, Charlie does go to the chocolate factory with his grandfather.In the original, Charlie and his grandfather DO get in to mischief by taking a sip of some "Fizzy Lifting Soda" and end up floating up in to a, for lack of better description, smokestack. They do return to ground unharmed and continue on with their adventure - after all, the story is about Charlie. In the remake, no such detours. Charlie was a perfect child all the way through. In the original, Charlie did not initially win. He had to prove his "goodness" by returning the "Everlasting Gobstopper" at the end of the adventure. At which point Wilder's Wonka awarded Charlie the factory; End of movie. In Burton's version, Depp's Wonka, since Charlie is the last remaining child, the factory is awarded to him, BUT, unlike the original, Wonka tells Charlie his family can't come with him. The movie languishes on with Charlie actually showing Depp's Wonka that having a family is a good thing and eventually Charlie wins out, reuniting Depp's Wonka with his father and then obtaining the factory and moving his family in as well. There is hardly a mention of the "Everlasting Gobstopper" in Burton's version. There was a "sub plot" in the original version that centered around honesty. Wonka's chief competitor was Slugworth Candies. A man posing as Slugworth approaches each child offering him/her cash fortune to get an "Everlasting Gobstopper". A tempting trial for each child, no doubt. While this sub-plot does make an appearance in the Burton version, it ends up fading away never to be seen again. In Stuart's version, this sub plot would be the deciding point for Charlie, had he not returned the Gobstopper to Wonka, he would not have won the "prize". This sub plot proves honesty above all else.Let's not forget the flyover in the glass elevator. While minor to the movie, it should be noted that in the original we never see the end result of the children who lose out. This would be the end of Stuart's version as Charlie, grandpa, and Wonka fly onward and the credits roll.In Burton's remake, we get to see each of children as they exit the factory in a cartoonish portrayal of what each child went through.Augustus covered in dried chocolate - attempting to eat the chocolate from his fingersViolet, still violet in color is now more flexible, but otherwise unharmed and apparently enjoying her new found flexibility.Varuca and her father exit covered in trash. Varuca spots the flying glass elevator and quips, obviously not learning her lesson, "Daddy, I must have a glass elevator!" This time, however, Mr. Salt retorts quite shortly "the only thing you're getting is a bath!"Mike Teevee, having been shrunk in the Wonka-vision is now considerably taller and very, very thin; having been stretched in the taffy pulling machine.Then we see the glass elevator crash through the roof of Charlie's house where Depp's Wonka delivers the prize to Charlie. Telling him he has won the factory, but then dashing his hopes by telling him his family can't come along. No, sadly, this is not the end of the movie as it languishes on. We see later Charlie working a shoe-shine stand and Wonka sitting, pretending to read a news paper, taunting Charlie about his decision and wondering why such a smart child would want his parents around. This continues with Charlie convincing Wonka to find his father, Wilber Wonka DDS. They do, they meet, the Wonka's engage in a rather reserved father/son embrace. We then see Charlie and Willie returning to Charlie's house for dinner - but this time, the house is actually IN the factory. Wonka did give the factory to Charlie AND allowed Charlies entire family move in.I did prefer Stuart's version of the Oompah-Loompahs. Burton's version seemed like a cloning production in overdrive. All looking exactly the same. Which, in reality it was. In Burton's version, Gordeep (Deep) Roy played ALL of the Oompah Loompahs - with a little help from technology, of course.All that said, I have not read Dahls original novel. I have read the introduction for the screenplay, however. The Intro scenes of Burton's version do, for the most part, follow the Dahl intro. From the point of the children gathering at the gates of the Wonka Factory and forward, I can't say. Perhaps I will have to obtain a copy of the novel and find out.
M**N
Family movie night
Classic we all enjoyed
"**"
Good Fun for Oldies
This video is great fun for anyone who watched it as a child. In the special "behind the scenes" interviews at the end of the video, the director claims that the movie was intended for adults and NOT for children, but children do indeed love it as well. The plot is a pretty cheesy and predictable one concerning the theme of "good vs. evil", with good winning, of course. However, the character of Willy Wonka, played by Gene Wilder, makes some pretty unpredictable and amusing comments throughout the film. The filmmakers had a good sense of humour concerning sets, characters, and dialogue, all of which makes for fun viewing. The set design inside Wonka's chocolate factory is pretty fabulous and colorful, and is a real treat for the imagination.--American Mom in Japan
G**
Great movie
Purchase this because I could not find it locally. Watched it a few times now. Everything works fine and the movie is great
K**R
Ein stück Zeitgeschichte
Das der Film nicht gegen das perfekte Remake von Tim Burton anstinken kann, steht ausser Frage. In den 70er Jahren hatte man noch nicht die technischen Mittel, die man Heute hat.Ebenso stimme ich den anderen Rezensenten zu, die empfehlen, den Film mit der englischen Filmspur zu genießen.Schon relativ am Anfang lebt der Film ja von seinen Stilbrüchen. Eindeutig in Deutschland (Bayern ?) gedreht, rennen Schulkinder in einen amerikanisch aufgezogenen Süßwarenladen, in dem sie zu einem Klassiker ("Candyman") Süssigkeiten bekommen, ohne das sie Anstalten machen zu bezahlen. Draussen steht der mittellose Charlie, der durch eine, wieder typisch deutsche, Stadt geht, und dort nach amerikanischer Manier Zeitungen durch die Gegend verteilt. Am Tor des, ebenso typisch deutschen Fabrikgeländes der Gründerzeit, schaut sich Charlie die Leuchtbuchstaben der Schokoladenfabrik an, die zu diesem Zeitpunkt angeschaltet werden (warum fühle lch mich so an "BAYER" erinnert?).Innerhalb der Schokoladenfabrik ist es ebenso typisch 70er Jahre mäßig. Diesmal ist es mehr der Chame der DDR- und tchechische Märchenfilme, an die mich die Oompas und die Räume der Fabrik erinnern. Nichts gegen Märchenfilme aus dem ehemaligen sozialistischen Osten.Sehr gut gewählt ist Günter Meisner als zwielichtig wirkende Figur. Als kleiner Nebeneffekt gedacht ist wohl der Auftritt von Kurt Großkurth (das ist der Herr, der in der Gaststätte von dem Mikrofon abbeisst). In unzähligen deutschen Schnulzen ist er als komische Figur aufgetreten. Der typische Wohlstandsdeutsche.Nunja. Alles in allem ist der Film meiner Meinung nach mehr ein zeitgeschichtliches Dokument. Das soll dem Genuß des Films aber keinen Abbruch tun.
I**Z
Edición de colección
La película es un gran clásico que vale la pena para agregar a tu colección pero está edición en dvd es muy sencilla, el diseño del disco es simple la caja es muy frágil, pero cumple en su mayoría tiene variedad de idiomas y subtitulos y se ve muy bien.
F**N
¡Por fin una única edición en Blu-ray con el doblaje original en castellano de España y no el latino!
¡Es genial este Blu-ray aunque no lleve ningún extra porque al menos y por fin viene con el doblaje original en castellano de España de 1971 y no el latino, y con eso ya es más que suficiente!. ¡Muy buena compra y edición en Blu-ray muy recomendable!. ¡Un 10!.
Trustpilot
3 weeks ago
2 months ago