Amedeo Modigliani: 1884-1920: the Poetry of Seeing

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Love it! The layout is great, the cross references are helpful and the read has a smooth cadence to it. Packed with interesting and useful information.

Great series of artist books offering a general overview of each artist and their work.

Excellent edition ! Informative and colorful.

This is a wonderful picture book of Modi's paintings. There is some biographical material, however it is a minimum offering. So the paintings are left to speak most of their narrative. This they do with a pictorial eloquence which say more to the mans passion for the paint and the human condition in his very unique style. It is a treasure in my personal library.

arrived in excellent shape

The Item arrived on Time and as described.

This is the perfect complement to the artwork we purchased.

“Amedeo Modigliani (1884-1920): The Poetry of Seeing” by Doris Krystof was first published in 1996. Since then it has been reprinted several times. This review is based on a hardcover version from 2015.The author Doris Krystof studied history and history of art in Freiburg im Breisgau and Cologne. Since 2001 she has been curator at a German art collection: K21 Kunstsammlung Nordrhein-Westfalen. She is the author of several publications about modern art.This biography of Amedeo Modigliani is a volume in a series about famous artists published by the German publisher Taschen. So far, there are 29 volumes in this series. A related series covers different types of art. There are nine volumes in this series. A second related series covers architecture. There are eight volumes in this series.While the book is published by a German publisher, there is no need to worry about the language, because everything in it is in English.The main text is divided into five chapters which follow a chronological line from 1884 when Modigliani was born until 1920 when he passed away, only 35 years old. At the end of the book there is a timeline, which covers his life and work. There is no bibliography. There is no index.What about illustrations? The book is illustrated throughout. All paintings are in colour, unless the original happens to be a drawing in black-and-white. Almost every painting by Modigliani mentioned in the text is shown in the book; in most cases, text and illustration are not too far from to each other, which is reader-friendly.Some illustrations are photos. Because they were taken long ago, they are in black-and-white. We cannot complain about that.PART ONEThis biography of Amedeo Modigliani covers his life and his career. Obviously, there is a strong focus on his work as an artist. His short life can be divided into two sections:** Section one (1884-1906). He lived in Italy. This is where he was born and where he studied to become an artist.** Section two (1906-1920). He lived and worked as an artist in France.At first he lived in Paris. This is where the avant-garde was. In the spring of 1918 he moved to the south of France in order to avoid the war. He stayed there for about a year. In 1919 he returned to Paris. He was suffering from poor health. In 1920 he died from a combination of tuberculosis and meningitis.His work as an artist can be divided into three sections. From 1906 to 1909 he focused on painting. From 1909 to 1914 he focused on sculpture. From 1914 until his death in 1920 he focused on painting once more.While he was alive, some of his works were shown at exhibitions and some of them were sold, but he never made much money from his work. While he was alive, he only had one solo exhibition and it did not last long. It was in Paris in December 1917. It was closed down by the police on the day it opened, because it was claimed that his paintings - a series of nude studies - were offensive.PART TWODoris Krystof has written an excellent biography which covers Modigliani's life and career in great detail. Most importantly, the author shows why Modigliani is so special; why he is recognised as an artist of international standing.As Doris Krystof explains, Modigliani had several sources of inspiration. The first source: artists who were dead. He studied the paintings of the Renaissance while he was still in Italy. The second source: artists who were living in Paris while he was there. This was the avant-garde. The most famous of them was Pablo Picasso. The third source: African art, which was becoming more known in Europe in the beginning of the 20th century. Modigliani did not simply copy these sources. They were an inspiration for him. Based on these sources he developed his own style which is different from that of other artists.I like this book, and I want to give it a warm recommendation, but I have a few minor quibbles. Let me explain:# 1. On page 62 we have the picture that is called the nude Elvira. According to the caption on page 63, this painting is from 1918. But when this painting is mentioned in the text on page 70, the author claims it is from 1919. As far as I know, the information offered in the caption is correct. It is from 1918.# 2. On page 82 there are two illustrations. The larger one is a painting by Modigliani, known as the Zouave from 1918. The smaller one is a painting by Vincent van Gogh: a portrait of Mittiet, a Second Lieutenant with the Zouaves from 1888. It is interesting to compare the two paintings. But the comparison is never made in the text. I do not know why. Perhaps the author wanted to add a paragraph about these two paintings, but then she forgot about it. Or perhaps this paragraph was written and later deleted (during editing).The comparison with Vincent van Gogh is obvious. There are some similarities. Both artists were poor and very eccentric. After they died, both of them became very famous. However, there are also significant differences. Vincent did not have many social skills. He could not get along with other people. By contrast, Modigliani had no problem getting along with other people. Vincent committed suicide (this is at least what most scholars believe), while Modigliani died because of his poor health.# 3. It is well-known that Modigliani was using drugs and alcohol. He was often in poor shape. The author never tries to explain why he did this. One possible explanation is that he did this in order to hide the fact that he was suffering from tuberculosis. This disease was deadly and it was contagious. Most people tried to avoid contact with a person who had this disease. If Modigliani had told the people around him that he suffered from this disease, it would have been difficult for him to make any friends. Most people would have avoided him.CONCLUSIONAs stated above, these remarks are minor quibbles. I mention them here, because they deserve to be mentioned, for the record, but I will not allow them to disturb my overall impression of the book. Regardless of these minor quibbles I still think this is an excellent biography and I want to give it a strong recommendation.PS # 1. For more information about Modigliani, see the following book:  Modigliani: A Life  by Meryle Secrest (2011).PS # 2. There is an American movie about Modigliani, a dramatized version of his life, from 2004, with Andy Garcia in the leading role. It was released on DVD in 2009. Here is a link:  Modigliani .PS # 3. For information about Vincent van Gogh, see the following book:  Van Gogh: The Complete Paintings  (Taschen, 2012). Modigliani: A LifeModiglianiVan Gogh: The Complete Paintings

Great introduction to a tala red artists work.

Great book and great service

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