EVO 8

Best entry grade interface. Even though it's entry grade the amplification quality is very good in this price and it's single knob can control all gain, volume. It is very handy can be taken anywhere and compatible with both condenser mic and dynamic mic and provides decent gain for gain hungry mics such as Shure SM7B and SM57.

The Evo 4 is a great beginner audio interface that also doubles up as a DAC/AMP and works quite well. It has helpful features that make the setup process easy and hassle-free, especially if you're new to using an interface. Features like smart gain, phantom power, audio loop back and monitor mixing make it easier to work with and this is all brought to life in a small form factor that's easy on the eyes. It is connected via USB-C to USB-A and works flawlessly. It comes bundled up with free downloadable software that is made available once you have registered your product. This is has replaced my Soundblaster X G6 and is quite a step up in terms of audio quality. Using the setup with a DT 900 pro X and an Audio technica ATR-2100 USB connected via XLR. A few tips for potential buyers: For a single XLR mic connection, be sure to plug your mic into the second channel for stereo recordings. The chat/monitor mix does not work with a separate dac/amp or sound source, it only works when you have your input and output connected to the EVO 4. Dynamic mics don't usually need phantom power so you should be fine without using it when setting one up. You are able to control every setting through the downloaded app and through physical controls. Getting used to them might take a day or two, but once you do, it makes it very easy and intuitive and you'll be surprised at how effective it all is.

This is the best value for money there is in audio interfaces. For just about Rs.11k we get 96KHz 24-bit sampling, two excellent mic prepamps with absolutely low noise floor compared to others in this category, two balanced XLR combo inputs and jazzy but functional and usable controls. The design is a bit quirky and I was skeptical in the beginning, planning on returning it if it were unusable. However, after a day of working with it, I must say it turned out much better than I expected.. the single control dial was a bit painful but not as much as I imagined.. after getting used to it now I prefer this interface to the multiple dials of others. It may be because being the sole dial, a lot of focus has been put on it in the design - it has a high quality feel with good tactile steps, LED bar showing the setting and a big enough size. The same LED bar switches to showing the current signal level a couple of seconds after adjusting the control. I would have preferred dedicated level meters, but this is not bad. As a bonus, we get a PC application through which all the controls can be accessed and adjusted without having to touch the hardware itself and also save and retrieve the configurations - so no hassles of having to match the settings across sessions! The PC application can also update the firmware in the device. Much has been made of the smart gain feature, but I found it faster to just set the gain manually looking at the level in the DAW or the LED bar. If you do not mind the chunky box look and the dust-prone top-mounted controls, this is THE interface to go for.. everything else about it is just great.

The most attractive thing with it that this product is from Audient, UK and it's auto gain audio interface, an all in one bundle, perfect for a small home studio but you need to sound proof that first for a good quality output, headphone has a good and crystal sound but very tight on ears, mic is above average and good, i am facing some issue with auto gain, which is giving higher output than needed, i have to set that again. all in all it's a great buy in this price (i got it in less than 20k) and perfect for small home studio, if you're an audio person.

Worth purchase for someone who needs 4 microphone inputs at the same time. Works fine Waveform DAW and other DAW's, but if you're using Audacity then You should change the DAW because it can record only 2 inputs at a time.. All the 4 mic inputs and loopback can be used at same time ... Compact for someone needs a portable device Some people complain about plastic build quality but it's fine, nothing to worry about.

damn like wtf I'm gonna even say much but this offer Is defiantly once in a lifetime it 's worth the money trust me

اشتريت الجهاز عشان ادرب صوتي واسجل فوق مقاطع صوتية، أول جهاز اشتريه فيه هذا المجال .. عجبني يعمل خلط بين صوت المصدر وصوتي لما أسجل فوقه وبدون تأخير .. وحسيت صوتي تحسن بعد ٤ شهور من استخدامه .. تمنيت لو فيه منفذ تايب سي ثاني عشان اشغله على الايباد لأن طاقة الايباد لوحده ما تكفي .. الجهاز روعة أحلى ١٣٠٠ ريال صرفتها يستاهل

I was looking to upgrade a Focusrite Solo and Line 6 M20d to do some band recordings. One only had two channels and the other while it can work as an interface, has about 2.5 seconds of latency and needed extra gear to get Headphone mixes. I saw the reviews of the Evo 16 and decided to give it a go. Did my first proper recording session yesterday and it worked perfectly; Cue mixes with "more me", simple level setting and instant response. I had never bothered with Talkback before but setting the function button to Talkback using the laptop built-in mic array worked great. What I hadn't expecting to use was the optical I/O but I have connected a Helix to this (with a converter) and it simplifies connections while keeping everything digital. If you need more than 4 channels of input and are working to a budget serious consider the Evo 16

Je voulais une carte simple à installer : j’ai branché， regardé une vidéo YT， pour tout comprendre et ça marche . Avec la qualité Audient ， même si c’est moins performant que les ID.

Habría comprado el modelo EVO 4, pero con esta tremenda oferta de Amazon no me he podido resistir a comprar el EVO 8, y lo único que me lo impedía era ver que no había un pronunciamiento claro acerca de la compatibilidad con Apple Silicon M1 y Big Sur, pero ya lo hay, es oficial y positivo. He leído infinidad de comentarios, ya cansa incluso, de que es de plástico, que pesa poco, bla, bla, bla, y sinceramente, así da gusto comprar, porque una vez que lo tengo en mis manos veo que es tremendamente sólido y con una calidad excelente, tiene un peso considerable y no se nota excesivamente ligero, se nota que está repleto de cosas buenas, y además, al menos el modelo EVO 8, tiene un peso suficiente para soportar algunos conectores XLR de metal y seguir plano, pero no es mayor problema si se inclina un poco, porque es cierto los conectores quedan a mayor altura que en otras interfaces y puede provocar que se incline. Lo pones en la mesa con plastilina o masilla pegajosa de quita y pon y problema resuelto (si es que tienes problema alguno). Sinceramente, se vé muy sólido, y el plástico de la carcasa me ha ENCANTADO, TREMENDO, GENIAL, se ve un plástico muy sólido y mate antihuellas de muy alta calidad. La principal diferencia que me hacía dudar entre el EVO 4 y el EVO 8 era la posibilidad de tener un botón dedicado para la mezcla y panning de la monitorización directa, pero es que no tengo intención de usarla, y además se puede activar igualmente a través del mezclador instalado con sus drivers. A DESTACAR: - la función loopback incorporada incluso en el modelo pequeño (EVO 4) y el número de entradas y salidas a éste precio, con ésta calidad de sonido y drivers, es sobresalliente, al igual que la calidad de los materiales - la descarga de software incluído como Cubasis LE para iPad creo que sólo está disponible para el modelo EVO 4 pero no para el 8, pero bueno, pudiendo usar Garageband, no veo necesidad - funciona perfectamente con Mac M1 y Big Sur con compatibilidad oficial recientemente pero poco difundida en su web oficial y contradictoria en algunos posts más antiguos, pero compatibilidad asegurada oficialmente desde hace unos 15 días en la web oficial aunque la página de producto no esté actualizada (los Audient iD4 y superiores ya eran compatibles) - es Class Compliant, por lo que en teoría no necesitaría ni drivers, al menos en Mac y iPad, no obstante el modelo EVO 4 tiene compatibilidad plena asegurada con iPad mientras que el EVO 8 no queda muy claro, y yo creo que más que nada se debe a la ausencia del botón dedicado para monitorización directa que no voy a usar y a otras funciones adicionales para escuchar mezclas de audio distintas en cada una de las dos tomas de auriculares - la función de Loopback creo que no es posible en iPad pero para ninguna tarjeta de sonido por lo que creo haber leído Espero que mi comentario sirva de ayuda.