Product Description Jazz Icons: Charles Mingus showcases three exceptional concerts performed in April 1964 featuring his most celebrated lineup--Jaki Byard (piano), Dannie Richmond (drums), Johnny Coles (trumpet), Clifford Jordan (tenor sax) and the great Eric Dolphy (alto sax, flute and bass clarinet). Recorded within an eight-day span, less than three months before Dolphy's death, the three concerts showcase Mingus's visionary leadership and the band's incredible depth and diversity with unique performances and arrangements of classics including "So Long Eric" and the groundbreaking "Meditations On Integration". Review "Jazz Icons is doing for jazz what the Criterion Collection has done for classic and important films". -- Jazz TimesJazz Icons represents the new millennium's most welcome shot in the arm for the music's soul -- Newsday.com, October 14, 2007, Gene SeymourThe iconoclast among icons. This DVD gives witness to three of Mingus's finest live performances, with one of his most potent groups on fire. -- Bass Player Magazine, November 2007
A**A
The best jazz band ever during their historical tour
Charles Mingus believed that jazz had lost something essential in the interplay between soloist and ensemble after the development of bebop, so his sextet work was focused on bringing back that kind of interplay in a modern idiom. The band on this DVD, Dolphy, Clifford Jordan, Byard, Johnny Coles sextet and the ubiquitous Richmond was the best small group in jazz ever IMO. Hands down better than the overrated second Miles Davis Quintet. The interplay between the players in the sextet is nothing short of incredible - they never leave the stage - always ready for either arranged or improvised ensemble passages in a number. They are a band - a unit - not a collection of soloists. A member of the rhythm section laying out isn't really an arrangement - these guys understand band interplay on an exalted level few have achieved.Mingus was an excellent arranger and composer, as well as leading his band on stage in improvised arrangements, and encouraging his band to improvise ensemble passages during solos. There are several instances on the video when you can see two of the horn players catch each other's eye while another is soloing and devise a supporting lick then play it behind the soloist. During the long, and carefully arranged, "Meditations On Integration" Mingus places objects in Byard's piano for some improvised prepared piano and Byard doesn't miss a beat. During a scorching Dolphy solo Mingus sings a lick for Dolphy to include in his solo, then Jordan and Coles pick it up and use it in a lick for ensemble support behind Dolphy. What other band could do things like that? There's some true esp in this band.When a soloist is hot Mingus will cut out the band to allow him full expression, as he does for Jordan during his solo on "Take the A Train" - Mingus is so excited he stomps his feet as he gives Jordan the floor to preach from his pulpit. While soloing the band keeps an eye on each other, and on Mingus, as Mingus allows for moments of elasticity. It's difficult to hear the exact words, but before the band breaks into "Parkerania" you can hear them discussing how many chorus's each will take - Mingus says something like, let's say 5 cause if we say 8 we'll take 10." "Parkerania" doesn't seem to be gelling like it could - so Mingus stops the band in the middle of a Coles solo, stomps out a beat, and they light into "A Train," playing some of the best solos on the whole DVD.This video is an education in how a small group can become an integrated unit, how modern jazz can effectively use interplay of the ensemble and soloist as in traditional jazz - and do so either prearranged and on the fly - and in the effectiveness of band members staying on stage together to allow for a kind of interplay unattainable otherwise. Furthermore, it shows that a band doesn't need to be made up of stars in order to achieve a rarefied state of excellence.
C**M
Meditations
The Charles Mingus Live in '64 Jazz Icon DVD is an incredible record of one of the best jazz ensembles to ever play together. When the sextet performed Meditations in Belgium, they played flawlessly, with Eric Dolphy standing out on both flute and bass clarinet and Mingus experimenting with techniques and timbres on bass and with dropping objects onto the piano's strings during the performance. I am so glad to have the DVD so I can study what the ensemble accomplished together musically. It is especially important for me to have a visual record of these last performances of Eric Dolphy's. Since he died in June of 1964, these are precious records of a musical genius whose life was cut short by undiagnosed diabetes.Jaki Byard sounds amazing on the recordings also. His knowledge of all types of music seeps into his improvisations. One minute he's evoking Jelly Roll Morton and the next Tchaikovsky and Alban Berg, and Asian flavors blossom, too. Clifford Jordan is an understated player, and he's technically precise with a nice tone quality. His way of working fit perfectly with Mingus' overwhelming and fiery personality. Richmond, an ebullient drummer with an obvious love for playing with this group of musicians follows Mingus well and changes the tempi with precision in Meditations. Coles' trumpet playing is also undertstated, yet beautifully expressive. It's clear Miles Davis had a strong influence on his playing with the bending of notes and lovely tone quality.Eric Dolpy and Mingus are the stars, however. Dolphy blows my mind with his virtuosity on three instruments. His flute playing is lovely and nuanced and when he grabs the bass clarinet another side of him comes to the fore. Pyrotechnics is the word that comes to mind. His alto saxophone playing is equally mind-numbing.Mingus put together one of the best groups of musicians ever and composed music perfectly suited to their talents.
J**H
Blown Away!
I'm more of a Coltrane, Miles, Monk fan, but I knew Mingus was a legend, so I rented this knowing nothingabout his 1964 band. When I heard the beautiful & bizarre saxaphone playing, I thought, Could that be Eric Dolphy?Of course it was, & at the peak of his power! No longer a Coltrane follower/acolyte, but a master in his own right.I've watched the DVD closely & also played it in the background. Mingus gives you a history of Jazz, from New Orleans to Charlie Parker, to the ensemble jazz of late '50's/early '60's, to Dolphy foreshadowing the experimentalism of the mid to late 60's. Though many decried Dolphy (Coltrane & Ayler), they were superb musicians who had mastered many forms of music before trying to break the barriers of time, space & sound. Just like Picasso could paint like a master, before he re-invented himself many times, Dolphy & the suberb band are restless innovators & imporovisers on a high plateau that few mortals will ever ascend to.I loved the rehearsal snippets where Mingus stops the band. Even though they were doing great by most standards, he was always aiming higher. Inspirational! This is serious music filled with beauty, melancholy, grace & joy. Definitely a peak of modern jazz & American music in general.
J**K
An essential DVD for all Mingus fans.
This marvellous DVD features 3 passionate performances by the Charles Mingus band in Belgium, Norway and Sweden during a European tour in April, 1964. The bassist, composer and bandleader was at the height of his powers at this time and coaxes fantastic playing from Eric Dolphy(alto sax, flute, bass clarinet), Clifford Jordan(tenor sax), Johnny Coles(trumpet), Jaki Byard(piano) and Dannie Richmond(drums) although Johnny Coles is absent from the Belgium performance as he was taken seriously ill a couple of days earlier at a Paris concert.Highlights include two versions of the brooding and magnificent 'Meditations on Integration' in Belgium and Sweden and a haunting 'Orange Was The Color of Her Dress, Then Blue Silk' in Norway.It's sobering to reflect that all the members of this wonderful band are now dead but 'JAZZ ICONS' is to be congratulated for bringing them alive again with this atmospheric and essential DVD.
C**X
The great genius of jazz
So wonderful seeing live performances of the best iteration of the best jazz band in history (sorry Duke). Mingus managed every emotion and even political statement in his tunes which are thoroughly original and on the longer tunes take the listener on a journey. It's all played wonderfully by a band that is fully in tune with what Mingus wanted, even after they lost trumpeter Johnny Coles, with the slack taken up by Jaki Byard, Clifford Jordan and the legendary Eric Dolphy who sadly died not long after these concerts were recorded.
C**N
Absolutely Fabulous
Thoroughly enjoyable. Cracking stuff. So much talent. Consistently interesting. Marvellous interplay between the musicians. So good to see Dolphy (my favourite jazz musician) playing live. Jaki Byard also fabulous. Clifford Jordan very good. Dannie Richmond too loud, but tolerable. Johnny Coles sub-Miles Davis. Mingus I can't get into though, sorry - his bass is a bit elastic band. But he brought this group together, so that's OK.A good deal of the 1964 Mingus Europe tour concerts are now available on CD. Get them all! One of them (with Coles absent) features a riveting exchange between Jordan & Dolphy.
M**L
Mingus is the Master
Great Jazz DVD
M**O
Mingus live in Europe 1964
Unique stuff with superb sound quality!
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