CCZ DC01 Pro in Ear Monitor, iems for Gaming, Professional Gaming Earbuds Super Bass Wired Earphones Headphones with 1DD, Patent Ear fins, Patent Ear tips, for Singers Musicians (Cyan without mic)

This is an IEM that punches way above its weight. Clarity and resolution for the price impress. It graphs pretty bassy, but the bass doesn't really feel overdone. It also graphs with limited top-end extension, but I did not feel that it was lacking in any real way in that department either. There is some upper mid-range intensity and general intensity overall to the presentation, but its only like things have been bumped up one tick. Nevertheless, a slightly warm DAC/Amp will be this IEM's best friend. Generally speaking, for the money this is a pretty excellent little IEM overall from a sound perspective. Timbre is natural, and its musically engaging. The build is plastic, which is pretty par for the course at this price, but positively, its light weight because of it. The comfort wing is comprised of a piece of rubber for comfort, but I'd rather they just leave this "feature" off of future builds and instead do away with the wing entirely. But, I'm sure this is preference, and others may want this feature.

These are high quality, concert stage grade earphones at a bargain price. The transparent shell with tasteful metal accent is a nice touch, with the internal wires adding a splash of color. Sound is big and impactful, with a boomy bass response. Treble is detailed and forward, with great transient sound. The shell is ergonomic as well, with the signature CCZ silicone pad for added long term pressure relief and comfort. Overall a great buy and another CCZ Classic better than Sennheiser and KZ

Terrible Sound quality For the money I could have boughten.Apple Wired headphones and they would've been better Not studio Headphones at all They sound so muffled Like, you're using the headphones that gave you at the library

I cant believe how good these are for the price. Fit and sound like top quality in ear monitors. Sometimes on Amazon you find that diamond in the ruff and this is one for sure.

Je suis très déçue de mon achat . . . Pas bcp de son dans l'oreille.

Yanında ek olarak gelen silikonları henüz denemedim ama gerçekten muazzam bir ses seviyesi. Bir ara sennheiser cx-300 almayı düşündüm ama yorumlara bakınca alma isteği uyandırdı bende. Mikrofonunu da kullandım. Görüşmede karşı taraftan sesle ilgili herhangi bir şikayet olmadı. Hatta mikrofonsuz versiyonu da yolda. Umarım beni yanıltmaz. Ayrıca poco x3 pro ve cowon plenue d2 mp3 player ile kullanıyorum. Her ikisi için de güzel bir kulaklık.FAKAT; ürünün mikrofonsuz versiyonu aldığımda kutunun hasarsız ve yedek kulaklık silikonları ile geldiğini gördüm. Bu durum, mikrofonlu versiyon için ne yazık ki geçerli değildi! Hem kutu hasarlı yırtıktı. Hem de içeriğinden yedek silikonlar çıkmadı.

KZ (Knowledge Zenith) are well-known for producing inexpensive IEMs which have a good price/performance ratio. Amongst my collection of around 20 IEMs I have four KZ models already, the ED3 (Acme), ED3 (Perfection), HDS1 and HDS3, all of which are excellent.This ZST IEM is one of the newer models from KZ from their “Z” range of over-the-ear types. It is also their first hybrid model, employing a 10mm dynamic driver for the bass and midrange, and a balanced armature for the treble. Dynamic drivers are praised for their bass quality and punch and often display a warmer sound, whereas balanced armatures have a more delicate and detailed presentation and are perfect for high frequencies. The trick is to integrate these two technologies and produce a balanced sound.The earphones come simply, but attractively boxed. They are presented in a black plastic tray below which you will find the detachable 2-pin cable and two further sets of silicone eartips. The earpieces themselves are made from a clear, light, hard plastic which seems to be of good quality. They have a faux carbon fibre effect printed on them with “ZST” in a handwritten script font.The cable is a typical KZ type, similar to that found on the ED3 and HDS1, with a transparent greyish rubbery covering through which you can see the braided copper wires. A short section of the cable close to the earpieces is made of a kind of memory wire which helps to shape the cable when worn behind the ear. I would have liked to see a clearer indication of the left and right channels, perhaps they could be colour coded. The cables proved slightly tricky to attach, a fair amount of force being required, but once fitted they remained in place securely. I had no issues obtaining a good comfortable fit and seal with the pre-fitted tips. Being worn behind the ear, the cables did not produce any microphonic behaviour.The earphones were run for 48 hours including some audio tracks of white and pink noise in order to burn in the components. Before listening I ran the Densen Demagnetiser track which uses a special audio algorithm to remove residual magnetic fields. I also ran the Ayre Full Glide Tone which has a similar effect.Auditioning was done using a Hifi Walker H2 DAP via line out with a Fiio L16 cable and a Fiio A5 headphone amplifier, set at low gain, with volume at around 33%. I tested the earphones with a wide range of material across various genres. The first thing I noticed was how natural and well-balanced the sound was, with no part of the spectrum unduly emphasised. The dynamic bass driver has been voiced with a clean, somewhat analytical sound signature, which blends well with the balanced armature. As a result, classical music fared particularly well.“The Swan of Tuonela” by Sibelius, performed by the London Festival Orchestra conducted by Alexander Gibson begins with deep basses and brass. This came over beautifully with an excellent soundstage, both deep and wide. The placement of the various orchestral sections was easy to discern. The sound reached well into the sub-bass with the bass drums having wonderful depth. At no time did the bass dominate the midrange, which was open and airy. Treble had the requisite amount of bite without being harsh, with brass and strings being clear and detailed. The transition between the two drivers was inaudible, with no indication of the crossover frequency.“Asturias” from the “Suite Espanola” by Albeniz, performed by the New Philharmonia under Rafael Fruhbeck de Burgos, showed great impact and drive. Strings were smooth yet with character, brass shimmered and had plenty of attack. Bass drums and timpani came across with slam and precision. A lovely performance.Ambient and electronic music also sounded superb. “Hands of Sacred Light” by Patrick Bernard’s beautiful album “Angel Reiki” displayed plenty of detail and texture, which is ideal for this kind of music. The soundstage was three-dimensional with a perfect balance between the deep bass tones and the clean harp-like textures.“Siren’s Song” from “Archives 2” by MIDI guitar maestro Mark Dwane, is a fast- paced electronic piece with a powerful rhythmic bass line. This was reproduced with no blurring between the bass notes and a punchy, agile rhythm. The female vocals layered over the top were clear and incisive. Electronic sound effects came over cleanly and precisely.The moody atmosphere of Chris Izaak’s “Wicked Game” was portrayed wonderfully. All the emotion of his voice was preserved. Bass guitar and percussion had great texture while the distinctive tones of the lead guitar floated over the top impressively, leading to a very enjoyable experience.I also tried the ZSTs with some high-res FLAC files. Beethoven’s Moonlight Sonata in a 96KHz 24-bit recording sounded very good. The decay of notes, the accurate reproduction of overtones and the natural timbre of the piano were very impressive. Background noise was non-existent and the transient response was excellent.These KZ ZST earphones represent great value. They are well-balanced, with a slight emphasis on the upper register, which adds life and sparkle. The bass is clean and precise with no bloating or bleed into the midrange. The overall effect is analytical, yet musical and enjoyable. Fed with high quality recordings from a good source, they are capable of very high quality reproduction, which at this price is remarkable. In addition, the detachable cables offer the chance to upgrade the sound (silver plated cables are available). They deserve an unreserved recommendation. The seller, Yinyoo, also deserves a mention for excellent service and friendly helpful communication.

Overall, this is very good product, well-constructed with quality materials. The sound quality is good, though it is a bit "bassy" for my personal preference. I typically prefer a flatter sound response, but that's just my taste.I have seen other reviews mentioning issues with the cable quality, but I personally haven't noticed any problems. While I can't comment on the long-term durability, the cable itself seems perfectly fine to me.When I use them as IEMs while playing drums, paired with a 3M Optime II, they significantly reduce outside noise. However, I should note that on their own, they are not exceptional noise isolators. You might consider getting separate foam tips to improve noise isolation, but don't expect miracles. Additionally, there is some noticeable sound leakage, which is worth keeping in mind.As I mentioned in the beginning, they are a very good product, and you can not go wrong with them.

Audio dettagliato, comfort assoluto, solidità costruttiva, estetica cool... a un prezzo piccolo! Wow! Questa marca di auricolari tutta la vita.