Lie With Me

Description

Product Description Leila (Lauren Lee Smith) is a sexually voracious young woman who connects with men through sex. One night at a party, she meets David (Eric Balfour). Later, as she has casual sex with a stranger outside, David and his girlfriend mirror her actions in their car. Their eyes lock, beginning a courtship ritual that initiates their own sexual affair. Leila and David get to know each other - which means being intimate - in bed, on the roof, in the park, everywhere. For them and other members of their generation, sex is communication. Just as Leila realizes her attraction to David is different than anything she has ever known, he retreats. Her explosive reaction knows no bounds. Now they must conquer their demons in order to move beyond the purely physical and satisfy the emotional connection they unknowingly crave. .com Shot in sunny Toronto and set to a dreamy score, Lie With Me looks and sounds like an art film, but the end result isn't quite so lofty. The plot is thin and the dialogue superfluous, but no matter--Canada's Clément Virgo (Love Come Down) just wants to turn you on and he has enlisted two attractive, uninhibited young performers to assist in his aims. Leila (Lauren Lee Smith, The L Word) and David (Eric Balfour, Six Feet Under) meet at a party. He's with his girlfriend, but finds himself drawn to her. The feeling is mutual. She's alone, but quickly finds an unattached hipster with whom to have a tryst. David catches her in the act. Instead of turning away, he watches. They start seeing each other immediately afterwards. "I'm not hooked on danger, [I'm] hooked on sex," Leila claims, but she isn't exactly the most trustworthy narrator. She wants a purely physical relationship, while David wants something more. They return to their old lives, but the obsession refuses to die. Based on the novella by Virgo's partner, Tamara Berger, Lie With Me plays like a low-budget cross between Adrian Lyne's overrated 9 1/2 Weeks and Wayne Wang's underrated The Center of the World. --Kathleen C. Fennessy